IlluminatiWatcher

Illuminati symbolism hidden in pop culture...

Disclosure Day Analysis: Spielberg’s Alien Religion, MKULTRA & the Gnostic Apocalypse!

Quick Links:

LISTEN TO THE FREE FEED VERSION OF THE SHOW HERE:

Listen to the free feed version of the show on the Apple Podcasts or Spotify, or any of the podcast apps- I’m on just about all of them (**and don’t forget to leave your reviews there as well!!**); or right here on the embed (*if you’re looking for one of the ad-free SUPPORTER feeds you’ll have to stream it through their respective apps):

Listen to “Disclosure Day Analysis: Spielberg’s Alien Religion, MKULTRA & the Gnostic Apocalypse!” on Spreaker.

https://youtu.be/SeSkQr55Y4U

On today’s episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we expose Spielberg’s alien religion in Disclosure Day! I’ll be revealing the real meaning of Margaret’s character as the Gnostic Sophia goddess aka BABALON, the revelation of entertainment as a vehicle for mind control of the masses into the new alien religion and the dark truth about what’s really happening with the aliens from this film!

NOW UP AD-FREE ON SUPPORTER FEEDS! Free feed gets it a day later!

Links:

Support the show: 1. SUBSCRIBE! 2. Leave a review! 3. Go commercial free with bonus content by supporting the show on any of the THREE platforms!

(*Full transcript of the show will be at bottom of this post, scroll all the way down!!!)

 

 

How to Support the show:

Catch up on the Archive!

You can search through to the ENTIRE catalog going back to 2014 at this convenient post I created:

Thanks again for all your support! If you want to stay connected please sign up for my free email newsletter which will get you updates on all groundbreaking revelations of occultism in entertainment (as well as occasional free giveaways)!

-Isaac

*When you sign up for my email updates you’ll get a FREE copy of my first full length book: A Grand Unified Conspiracy Theory: The Illuminati, Ancient Aliens and Pop Culture! Sign up here:

 

Isaac Weishaupt is a prominent author, researcher and host of the Occult Symbolism and Pop Culture podcast since 2014, where he explores the hidden meanings behind pop culture, conspiracies and esoteric philosophy. With a background in engineering and a deep interest in occult systems, Isaac bridges the gap between mainstream entertainment and the arcane by decoding the symbols, rituals and belief systems woven into films, music and celebrity culture. He’s written several books on Illuminati symbolism, occultism, secret societies and the paranormal. Drawing on a mix of research, intuition and cultural analysis, Isaac offers a critical yet accessible lens on the forces shaping the modern world from the shadows…

Isaac hosts the Occult Symbolism and Pop Culture podcast (supported by Patreon) and “Breaking Social Norms” podcast. He has been a featured guest on History Channel’s UnXplained, Coast to Coast AM, Tin Foil Hat podcast (honorary member of Mount Crushmore), Sean Kelly’s Digital Social Hour, The Confessionals, Eddie Bravo’s “Look Into It,” Ground Zero with Clyde Lewis, Chris Jericho’s “Talk is Jericho,” Richard Syrett’s “Strange Planet,”, The HigherSide Chats, Those Conspiracy Guys, Dave Navarro’s “Dark Matter Radio,” Richard C. Hoagland’s “Other Side of Midnight”, SIRIUS/XM’s The All Out Show, VICE, COMPLEX magazine, Esquire, Newsweek, The Atlantic and many more radio shows and podcasts. His fresh perspective and openly admitted imperfections promotes the rational approach to exploring these taboo subjects and theories.

Follow Isaac on Instagram: @IsaacWeishaupt, Twitter: @IlluminatiEyes, Facebook: @IlluminatiWatcher, or sign up for the free email newsletter! Signed paperbacks and shirts available at OccultSymbolism.com!

ONE STOP SHOP FOR ALL LINKS: AllMyLinks.com/IsaacW

 

*STATEMENT: This show is full of Isaac’s useless opinions and presented for entertainment purposes.

Full Transcript (Courtesy of all show Supporters):

*Note that this is pretty accurate- not 100% though. It’s run through software that is generally very accurate and then I give it a quick once over but there are most likely some errors.

 

[00:00:00] Today we’re doing a plot spoiling analysis of Steven Spielberg’s new film, Disclosure Day. I’ll be revealing the true meaning of Margaret’s character as the gnostic Sophia goddess, AKA Babylon, the revelation of entertainment as a vehicle for mind control of the masses into the new alien religion, and the dark truth about what’s really happening with the aliens from this film.

[00:00:27] My name is Isaac Weishop. If you don’t know who I am. I’ve been talking about the occult and pop culture and entertainment since 2011.

[00:00:33] And in 2020, I released my comprehensive book, Aliens, UFOs in the Occult, Use your Illusion 1 and 2, where I told you exactly what was going to happen. And every day we go a little bit further down that timeline. So you can get those books on Amazon, audible occult symbolism.com, where I can give you a signed paperback bundle version.

[00:00:55] Because all of that pertains to what I’m going to talk about today. And I can’t reveal to you quite yet what I’ll be discussing, but in just about five minutes, we’re gonna get into the plot spoiling talking points, right? I’m gonna tell you some shocking ideas that I found in this film and why it could be the most important Alien film of all time. I know, it sounds crazy, right? Because the reviews coming back, people like, oh, this movie sucked.

[00:01:23] And I’m not making a commentary on the quality of the movie. I’m making a commentary on how intense this movie is in terms of the Steven Spielberg kabbalistic plans for humanity. All right?

[00:01:39] But we’re not quite there yet. Give me five minutes. Then we’re getting into plot spoiling territory. And that’s where you need to go watch the film and come back. Or if you’re like, hey, I’m not watching this garbage, proceed, because I’m going to walk you through the whole film. All right?

[00:01:54] Is there anything more American than Hollywood? Is there anything more Hollywood than Steven Spielberg? Right? He’s been hyping this movie up for a long time, telling us, warning us is going to shake us in our little booties from our, our faith. Oh, no. Oh, and he was right. I went in Greek Orthodox Christian. I came out Kabbalist to go fight Gnostic.

[00:02:21] I kid, of course, I thought that was quite an overstatement.

[00:02:26] Or was it?

[00:02:27] Or was it? Or was he planting seeds? And if you aren’t aware of what he’s trying to do, maybe you’d fall for it, huh? And now I did a bonus show. Every month, I do a bonus show for My Patreon and supporter feeds right back in December of 2025 when this trailer dropped and I went through some ideas and predictions and concepts, and I don’t really remember the details of it doesn’t really matter.

[00:02:51] I mean, if. If you listen to both that show and today’s show, you can tell me if I nailed anything on the head from the trailer. But today we’re going to walk through the entire film. All right. And I’m gonna break it down because you need this as a guide, because if you don’t see everything going on, it doesn’t seem like it’s that interesting of a movie or consequential or whatever. Right.

[00:03:13] I’m gonna do a very abbreviated cast and crew. Emily Blunt, she plays the main character. Margaret Fairchild, she was in Edge of Tomorrow. And, well, my number two, Tommy Salami. Right. An alien film with a guy who is an alien religion.

[00:03:29] Josh o’ Connor plays Daniel Kellner. Now, Kellner, that’s an interesting name, isn’t it? We’ll probably talk about that.

[00:03:36] Colin Firth plays Noah Scanlon. He runs the Palantir esque tech pro company, Wardex. Noah, that’s a curious name. Maybe we’ll talk about that.

[00:03:46] Eve Hussen plays Jane Blankenship. That’s Daniel’s girlfriend. Former nun Elizabeth Marvel plays nun, the main convent nun, Mara.

[00:03:58] Fun fact. Elizabeth Marvel went to Interlockin Arts Academy. That’s right. If you’ve been liking and subscribing my shows, you already know. We talked about the Epstein connections, about how he had his own cabin at Interlockin Arts. Isn’t that curious? Wow.

[00:04:15] Screenwriter for this film was David Cope. And on that December 2025 bonus show, we talked about David Cope and his collaborations with Spielberg.

[00:04:26] Most interesting, he wrote the screenplay for Snake Eyes with Nick Cage. Huh.

[00:04:34] If, you know, again, if you’ve like. I. I don’t have time to go into all the details, but you already know Snake Eyes. It is the predictive programming of the Charlie K event. Huh.

[00:04:49] And. And I’ll put a link in the show notes if you’re like, bro, I need to catch up. I don’t know what you’re talking about with this guy. Go to. You gotta. I mean, you’re gonna have to hit the bonus feed, right? Cup of coffee in the big time. Oh, yeah. Cup of coffee in the big time.

[00:05:02] But he also wrote Indiana Jones, Crystal Skull Again, Ancient Aliens, they’ve been planting this seed for a long time. All right.

[00:05:10] But I’ll link it in the show notes if you Want to dig deeper into David Cope and Spielberg himself, because we talked about some of the darker conspiracy theories of. About Spielberg on that bonus show. Right. His filmography, how he’s always been serving up alien content, which comes from a cabalistic basis, which I connected the dots for that. And, you know, a lot of people don’t know his. He was trained out of Laurel Canyon, which is where all the propaganda films came from. The military then and all, obviously, you know, shout out David McGowan, rest in peace. Right. Wrote a whole book about Laurel Canyon.

[00:05:48] But his first film was actually a film called Firelight that you can’t find. It doesn’t exist. Right.

[00:05:55] But Firelight was the first version of Close Encounters of the Third Kind.

[00:06:00] As you know, the ending, infamously quite different.

[00:06:04] Quite different.

[00:06:05] The aliens take the human up to live in a prison on their planet, which is alarming.

[00:06:13] But, yeah, he did Firelight, Close Encounters of the Third Kind, ET AI and now Disclosure Day. This is a recurring theme for him.

[00:06:22] And he was heavily influenced by Kubrick. Right.

[00:06:25] And I quote him as saying he’s still living off the adrenaline from watching 2001 in. In the theaters back in the day.

[00:06:33] And he obviously worked with Kubrick on AI and then Kubrick died.

[00:06:38] He talked about.

[00:06:40] Well, maybe not he. But I can’t talk about the thing. The other things I talk about on that episode.

[00:06:47] I’m putting this on YouTube. Right? But if you look up Adam Parfray’s essay on Spielberg, you can read about some of the allegations against the guy. I don’t know the. I don’t know the truth. I don’t know the guy. Those are allegations that someone else made. All right, now, anyhow, he did this whole press tour about this Disclosure Day movie, Wild Claims, and I’m going to quote to you, he says there’s a faction in the film that represents a pretty good position of why. Possibly because of ontological shock, social dislocation, that if the truth were just known overnight, if the government announced, yes, we have been keeping this from you since 1947. That would mess up a lot of people.

[00:07:31] Is God our God only on this planet? Or is God a God for every system where there’s civilization, intelligent life, and even developing life?

[00:07:43] And he kind of addresses this in the film. Right, and we’ll get to that.

[00:07:48] Now, some of the filming locations, surprisingly, were in Jersey, which I found odd because it doesn’t take place there. It takes place in basically Kansas City, Missouri, which made me think about all those drones. Right. Remember, that seemed like eons ago, back in November of 2024, we started getting all of these drones, drone sightings in Jersey.

[00:08:12] And just two months later, Spielberg starts filming Disclosure Date at the same places on the east coast there, setting us up for what is going to be the most prolific alien film of our lifetime, possibly. I mean, depending on how you interpret this thing.

[00:08:31] So at this point, I’m here to tell you that this is where the plot spoilers begin, starting right now.

[00:08:36] So you’ve been warned, if you wanted to watch this movie, turn this off now, go watch the movie and come back, because you’re not going to believe the things I’m about to tell you. All right, plot spoilers now. All right, here’s the actual points of discussion. Now that we’re on the plot spoiling side of the show, here’s what we’re actually going to talk about today as we walk through the movie. Professor Dana Pasalka’s American cosmic connections in the film WWF and ufc.

[00:09:02] The oto, the saint of television, Twin Peaks, of course, Scarlet Woman, Babylon, Sophia Gnosticism, connections with the Bledsoe story, LDS eschatology, Osiris and QAnon, Roman sacrifice, holidays MK Ultra butterflies, magic, the Left Hand Path, Disney Deception, Hansel and Gretel, Adreno, you know what, and the origin of that alien Daddy.

[00:09:29] All right, and also, if you want to see the images of what I’m talking about, I was able to secure some. Okay, are they good? No. But are they images? Yes. The video version of this show, as always, will be up on the ad free supporter feeds, tier 2@patreon.com Illuminati Watcher or VIP section.

[00:09:49] The YouTube version for the free feed. Losers drops a day later with ads, of course. Right? That’s annoying.

[00:09:56] You can’t spell disclosure without loser. Remember that.

[00:10:00] Anyway, all right, let’s get this going, right? Let’s start out. We’re at a wrestling event.

[00:10:10] Isn’t that interesting? We started out directly with wrestling. There’s a guy in the crowd and he’s got a backpack that some people seem to want to confiscate from him, right?

[00:10:20] And they get this backpack from. They start rifling through and there’s all these little hard drives. But let’s take a second to pause here. I love that it starts out with wrestling. Immediately, the first image, because what that’s showing us, because Spielberg knows what’s up.

[00:10:34] He’s been around long enough, is showing us that, you know, politics and disclosure is all smoke and mirrors, right? They even show you the wrestlers One guy’s got the blue panties on, the other one’s got the red panties on.

[00:10:49] The two parties, right? Republican and Democrat.

[00:10:52] It’s GI Joe, you know? And furthermore, when the next scene, they. They sort of escort the guy with the backpack. On the back dock, you can see cases of beer. On the dock, you see Budweiser red, Bud Light blue, which is probably, to me, I think, a more accurate depiction of politics, because, you know, it’s all money going to the same place.

[00:11:17] They. They present two different products to two different customers. Like, well, Bud Light is for the con. The people conscious about their calories and they’re concerned about their physique or whatever. And then Budweiser is for people who are like, I don’t give a damn. Give me that bud. Right?

[00:11:33] But ultimately, the money goes to the same person at the top of the pyramid.

[00:11:38] And then we have the odd timing of the. The UFC Trump birthday bash.

[00:11:45] And we talked about.

[00:11:47] We talked about. Because even in ufc, there’s higher levels to this. There’s reptilians all the way up the pyramid, right? Because Dana White isn’t the guy running the show necessarily. He’s the CEO and the founder or whatever, but Ari Emanuel is the guy that owns the ufc. And what else does he own? Wwe, wwf.

[00:12:08] Right? And that’s Rahm Emanuel’s brother. And this is very apropos because Rahm Emanuel was the mayor of Chicago buddies with Obama, and now you got Ari Emanuel buddies with Trump. So it’s like, it’s all the same thing. It’s all the same thing.

[00:12:28] And if you. And also, quick reminder, I actually just released a few days ago, an episode talking about the occult symbolism of Washington D.C.

[00:12:36] the UFC fight, Dana White’s Epstein inspired artwork. So be sure to peep that as well when we’re done here today. Now, the man with this backpack is the other main character of this film, Daniel Kelner. And the bad guys, that’s Wardex, the defense contractor, the Palantir type company, right?

[00:12:56] And Wardex has abducted Daniel’s girlfriend, Jane.

[00:13:01] All right? And Wardex, again, represents the sort of tech bro faction, kind of inverse of reality, because the tech bros seem to be. Want to incarnate alien life through AI. But let’s not get in the weed yet, right?

[00:13:18] We hear that several people. Because then we sort of go into the Wardex headquarters, right? And we hear that several people hadn’t shown up to work that day.

[00:13:28] And the, you know, the guy named Noah, the guy who’s sort of running Wardex, he’s like, oh, there’s 12 of them that didn’t show up, right?

[00:13:38] 12.

[00:13:39] Interesting. Like the 12 disciples, which. We’re gonna hit that in the conclusion. I’m gonna unpack some of these ideas in the conclusion. Now, we also see that Daniel. They have Daniel’s information there. There’s, like, the social credit score file that they pull up on the screen at Wardex.

[00:13:54] He’s born in May 20th of 1990, Highland Park, Illinois. And they have all these tracking software with values. You know, it says like unemployment, inflation rate or whatever.

[00:14:07] Ultimately, though, the most important thing to take away from this opening scene is that that backpack that Daniel Kelner is walking around with is holding an alien artifact that Wardex wants, right? So Daniel, they’re. They’re basically saying, hey, we got your girl.

[00:14:26] Give us the artifact. He pulls the artifact from his pocket and basically ends up winning this little battle. Gets his backpack, gets the girl. They skirt off. Noah, the guy from Wardex, that’s the Colin Firth guy, he’s like, oh, don’t you release those files. Dangerous, right? Obviously, they’re the alien files.

[00:14:46] And this is just like Professor Dana Pasalka’s book about the new invisible college. It’s the defense contractors, and there’s a backpack in the storyline. I’m gonna. I’m gonna dig through some of these details in the conclusion, and I’ll also put a link in the show notes if you haven’t heard my interview with her. I’ve done an interview with her on her first book and her second book, Encounters, both equally fascinating. And I’m trying to get her for the. Her third book that drops in July.

[00:15:11] All right. It’s called the Others.

[00:15:14] Daniel Kellner is quite the name to choose for a guy with an alien artifact, then that can magically change reality, right?

[00:15:25] Because there’s a guy named Carl Kelner who founded a magical order called the Ordo Templi Orientis. Maybe you’ve heard of this. All right.

[00:15:33] He founded it with Theodore Roos, who, off topic, Roos was trying to create a reboot of the actual Illuminati, by the way. Anyway, Carl Kellner invented the pulps.

[00:15:45] The pulps were the predecessor to the comic books.

[00:15:49] And Carl Kellner invented the paper printing of the pulps, which later artists would then put their comic books on, just to be clear.

[00:15:58] But my point is, he. He is connected into this massive concept of hyperstition and the idea of science fiction entertainment manifesting as reality.

[00:16:09] Huh.

[00:16:12] Now, Noah, the guy from Wardex, also A great name to choose for a character because Noah from the Bible was the chosen one to survive. Because, remember, God was trying to flood the world to get rid of the Nephilim, cannibal chuds, the demon offspring from the first aliens, the Watchers.

[00:16:33] Again, I’m going to put a link in the show notes so we can move on. But if you don’t know what I’m talking about, back In January of 2024, I did entire show on the Watchers and the Nephilim straight from the Book of Enoch texts. All right?

[00:16:47] And also if you’re watching all this on YouTube and you’re like, hey, these links aren’t going to YouTube videos. Yeah, it’s because I’ve been kicked off this thing so many times that you’re not going to see these older episodes. Those are only going to be either on my tier 2 patreon.

[00:17:01] I don’t remember when I started doing the videos again or just audio on the podcast feed only.

[00:17:07] I know, I know. It’s the problem, right? It’s annoying.

[00:17:11] So Daniel with the backpack and the girl, he calls a guy named Hugo, who I think is the most interesting character in this film, honestly.

[00:17:20] And Hugo basically is the guy working to make disclosure happen. Okay. He’s coordinating all these events. And we see Hugo at a location in a warehouse, and they’re assembling a house inside.

[00:17:37] Hugo is the literal architect. He’s building the house. He’s the Freemason doing the great work.

[00:17:46] And Wardex, the defense contractor, they’re in Virginia with all the other intel agencies and so on. Right?

[00:17:52] And like I said, they’ve got all the spy software. It’s basically Palantir. They can do facial recognition of people just walking on the streets and, you know, all that kind of stuff. Right.

[00:18:03] So Daniel, that mushroom 90 watcher coffee@ult symbolism.com is so smooth.

[00:18:11] Now, Daniel and J, that’s a. That’s a very Truman show, like, ad placement for me. So Daniel and Jane, they. They head to safety and they end up going to a nun convent that Jane uses, used to be a nun at. And, you know, Daniel’s all shocked by this. He’s like, you’re a nun. She’s like, not anymore, dummy. I was. I lost my calling.

[00:18:33] And that’s, again, part of this whole thing is connecting in religion to pull in the religious folks into the alien worship stuff.

[00:18:41] Now, what’s interesting is that the convent is for a nun, St. Clair of Assisi. And if you go to her wiki, it says pope Pius XII designated Clare as the patroness saint of television in 1958 on the basis that when one Christmas night she was too ill to attend midnight Mass, Clare reportedly had been able to hear the liturgical chants and see the crib as if she was present in the church.

[00:19:11] So here we have this interesting idea of television and film being a component of the phenomenon. All right?

[00:19:21] And if you heard my analysis of the Jordan Peele film. Nope. Which was also very critical in this new revelation of the method of alien contact.

[00:19:34] This is going to ring a lot of bells. Okay?

[00:19:37] So we find out that Daniel had done prison time for cyber crimes, and that’s why Wardex hired him. Okay? We’re introduced to the other main character at this point, and that is Margaret. And Margaret’s the most important character in this.

[00:19:52] This film, right?

[00:19:53] And she’s a weather girl, Kansas City, Missouri.

[00:19:58] And it’s interesting, when you first meet her, we get a Twin Peaks reference right off the bat. It’s a zoom, a zoom in that zooms out, right, of her putting her makeup on in the mirror, which is how Twin Peaks starts with Josie in the mirror, right?

[00:20:14] We also see that in Margaret’s room, she’s got wallpaper with butterflies.

[00:20:20] She’s getting ready for work, right? And she. She goes out in the kitchen, she talks to her boyfriend about moving to a new city, and he’s like, hey, you just wallpapered the bedroom.

[00:20:30] All right? He’s. We’re. We’re. We’re.

[00:20:34] We’re pointing to a reference here, okay?

[00:20:38] She sees a red cardinal flying to the apartment, and it triggers her ability to speak in Russian, okay? Like Helena Blavatsky, ironically. But what. This is the CDs. These are sort of the superpowers imbued from the alien intelligence, basically. Okay?

[00:20:56] And we hear her. She’s talking to her boyfriend.

[00:20:59] She’s like, hey, did you watch the audition tape? And he’s like, oh, no, let’s watch it now so the viewers can see this, too. And, you know, anytime there’s a movie, any minute from this movie is carefully considered, right? They don’t want to make this thing longer than it needs to be because people like me bitch about how long the movies are.

[00:21:20] So we all watch this audition tape, and when you watch the audition tape, you’ll notice in the back on the screen, there’s this sort of artifact imagery that looks just like the Twin Peaks Black Lodge floor. Call me crazy, that’s what I see. And you see it again at the end of the film.

[00:21:38] So she’s like, Oh, I got to go to work.

[00:21:41] As she gets in her car now, notice she is wearing all red.

[00:21:44] Virtually the whole film, I believe.

[00:21:46] And she gets in her red car after seeing the red Cardinal. Now this is all symbolic of the Scarlet woman, which again, we’re going to break this down in the conclusion.

[00:21:58] I took Josie to see the movie. I. I saw this movie twice. And I took Josie the sec. I took Jimmy the Jackhammer the first time and then Josie the second time. And Josie made a good point that we talked about on breaking social norms. Recording of this topic that hasn’t been released yet. Depending on when you listen to this, the. She said, yeah, in the Sixth Sense, the M. Night, Shalom and Lamb and Ding Dong used to always show red when there was something important happening.

[00:22:26] So she gets pulled over and she uses these CDs with the cop. Like, she gets in his head and she’s like, hey, you know what? You’re. You know how to get out of the doghouse with your wife? You need to buy her the flowers and take her to the thing and blah, blah, blah, blah, blah, right?

[00:22:40] So it’s this whole theme throughout the deal is like, hey, she unlocked some superpowers when the cardinal visited her.

[00:22:47] And notice the car she’s driving, quite curious. It’s an Alfa Romeo. And what’s the logo for Alfa Romeo? It’s a. A snake eating a human.

[00:22:56] Quite on the nose of what’s going on in this film.

[00:23:00] And we also hear her playing Gwen Stefani’s Sweet Escape. And I think Gwen Stefani, if I’m not mistaken, was seen with a kabbalistic red string bracelet.

[00:23:10] Nonetheless, we hear her, Margaret, she’s like, I gotta get out of the city. We’ll do a new city. Then she’s in this car and she’s listening to Sweet Escape.

[00:23:21] Why is all this happening? Because she is the Scarlet Woman, AKA Babylon, AKA the Sophia of Gnosticism. All right, if you don’t know what I’m talking about.

[00:23:31] Oh, boy, we got a lot to catch up on. So the Gnostics believe in an inverted version of reality, okay?

[00:23:41] And in this version, they think that the real God up there who created these opposing polarity pairs called cgs, one of those pairs, the female polarity Sophia was like, hey, I’m going to create a kid. I want to be God too. She creates this kid. She’s like, oh, crap, I got to get this thing out of here before God sees me. She kicks it out of the pleroma where they’re all like, living this False God. This abomination, the Yaldaboeth, is like out there floating around, and it’s like, hey, you know what? I remember being in this realm.

[00:24:14] I’m gonna create my own realm and be my own God and creates the earth and the, you know, the universe that we know as a prison planet and forces us to worship him. That’s what the Gnostics believe, okay?

[00:24:27] And the Sophia’s role is she manifests into our world to try to guide us, to say, hey, you’re in a false prison planet.

[00:24:37] You need wisdom in order to escape this prison planet and get away from the grasp of this psychopath guy who tells you he’s God, which is Christ, right? So it’s a very blasphemous religion if you’re a Christian.

[00:24:56] Furthermore, that’s the whole tension between Margaret and her boyfriend. She wants to move away, she wants to escape.

[00:25:05] And he is the mouth breathing dummy, and he’s like, no, we like it here, right?

[00:25:11] So she gets to the news station and, you know, another theme of the movie that we’re almost at World War iii, North Korea. Oh, no. Right. And everyone’s freaking out and buying up all the stuff at the stores.

[00:25:23] Now. It’s curious that Spielberg would pick North Korea. I mean, this is like, you know, boomer slopville, this whole movie, which I’m here for it, okay? To be fair. Like, give me the 80s stuff. Give me Boomer slop. I like it. I like this stuff.

[00:25:39] So.

[00:25:40] So yeah, Spielberg chooses North Korea to be the big bullies. And it’s like, I don’t know, buddy. I think there’s another country that seems to be having their little fingies in a lot of pies, doing a lot of messed up stuff. So that’s interesting. We chose North Korea.

[00:25:57] Anyhow, she gets on the news and she starts clicking clickety clacketing in this alien dialect. That’s what you see in the trailer, okay?

[00:26:07] So she clickety clacks. They. Then she passes out, so they take her to the hospital. Now, fun fact, what’s her name? Emily. Emily Blunt. She basically did those sounds. And Wikipedia tells me that they originally were going to have AI make those sounds, but she was like, f that.

[00:26:30] And she apparently opted to do vocal training to make these sounds. So, you know, respect for that.

[00:26:35] So I’m. I’m becoming strongly anti AI as I. As I grow here.

[00:26:40] So Daniel and Jane, they get picked up from the nunnery from this little rebel alliance group from xg, right? The guy looks like XG from Tinfoil hat. XG picks him up from the Rebel alliance and they’re taking them to a safe house.

[00:26:56] Meanwhile, Wardex, they’re tracking all this stuff. They see the clip of Margaret clickety clacking on the news and they’re like, oh.

[00:27:03] And we hear she’s 38, no kids.

[00:27:05] I’m doing the math on it. It means she was born in 88. Does that matter? No.

[00:27:10] Daniel and Jane, they get to the safe house and Jane’s like, you need to tell me what’s going on. She has no idea. She’s like, why is everyone after you? Why are we going to a safe house? What’s XG doing picking us up in the, the suv?

[00:27:24] And at this time, a bunch of deer show up right outside the house. And they’re staring at the, at Daniel and Jane. And Jane thinks it’s cute. She’s like, oh my God, look at these deer.

[00:27:32] But Daniel’s like, no.

[00:27:35] He says when we lock eyes with the deer, I can’t look away. I have to wait till they look away.

[00:27:42] And he says, and they’ll. If you reach for a camera, they’ll run away.

[00:27:46] And this is just like the phenomenon, it evades recording. It’s the trickster.

[00:27:51] It, it can sort of use a quantum observer effect to, to sort of make sure its energy can’t get captured onto some kind of medium, right?

[00:28:03] Meanwhile, at the hospital, Margaret’s getting checked out.

[00:28:07] We hear about her father having Parkinson’s. And you know, he got it at age 46 or 47 when she was a teenager and then he died, which, you know, you do the math. That’s the early 2000s. And, and this is one of the plot points I need your help with in the comment section. I have no idea why her father.

[00:28:26] Because you don’t meet anyone’s parents, right? There’s no parents in this film. Very Disney.

[00:28:32] But they a couple times reference this Parkinson’s things from her dad. Does this have anything to do with what we’re going to talk about today? I have no idea. Drop a comment if you figured that one out. I don’t know.

[00:28:44] And they ask her if she’s ever had counseling for some traumatic event she apparently had when she was 10.

[00:28:50] She denies it, she doesn’t want to talk about it. But her whack ass boyfriend interjects and he’s like, yeah, she’s got recurring nightmares of butterflies and Hansel and Gretel and she sings in her sleep, which is interesting, right? And he sucks, right? He’s got no sympathy for Her. He’s. He’s kind of a pain in the butt the whole time. We hate him the whole time, right?

[00:29:11] But we’re gonna come. Don’t you fret. We’re coming back to Hansel and Gretel. Of course, I perked up immediately when I heard that.

[00:29:17] So we go back to the. The trap house here, and the deer is staring at Daniel and Jane, and he’s like, I can’t look away. We’re locked in, right?

[00:29:25] And what does this mean exactly? It means that the. The deer, which we find out later are the aliens, are fully in control.

[00:29:33] They have all the power. They control us. We are ants to them.

[00:29:39] And Josie made a good point. She was like, hey, wasn’t that in the story of the Bledsoe family? Because Bledsoe Jr. Locked eyes with that entity in the woods and was freaked out, locked up, and couldn’t move.

[00:29:51] It’s the same thing.

[00:29:53] And Daniel’s like, so they. The deer leave, and Dan’s like, all right, Jane, tough girl. You want to know the truth? You can’t handle the truth.

[00:30:02] Brace yourself. He busts open the laptop, gets the Jeremy Corbell secret video files, right? And he starts playing them.

[00:30:11] And we see the first clip is President Nixon with what he says is a big TV star from the 50s, which we all know because we’re all very smart on the phenomenon. That’s actually Jackie Gleason.

[00:30:27] And this was also in Twin Peaks, Secret History of Twin Peaks book. Mark Frost, the. The genius, wrote about this exact story, that In Homestead in 1973, Homestead Air Force Base.

[00:30:40] Nixon brought Jackie Gleason in to impress him and show him alien corpses, right?

[00:30:46] And this is part of the Twin Peaks lore. It goes into Douglas Milford’s character.

[00:30:50] But Jackie Gleason was an avid UFO believer. He had built a house shaped like a ufo. His wife claims that this was all true, that he was escorted by Nixon to Homestead where he saw alien corpses.

[00:31:06] And it’s almost like Spielberg saying, like, hey, all that mythology, all that’s real, that really. This really happened.

[00:31:13] And just like in my book, User Illusion 1, I talked about the cognitive models. When you watch this, it. Your brain doesn’t know the difference.

[00:31:20] You’re Jane watching this clip, and you don’t know the difference. Is this real or not?

[00:31:25] You have to tell yourself, like, oh, this is just a movie, but there’s a version of you. There’s a cognitive model that gets built in your brain that, like, oh, all these things were real that we’ve heard about all the Year. Over the years, Roswell and Jackie Gleason.

[00:31:39] Now Bill Cooper talked about this too. My red pill daddy, right, Said the EBE was the alien the government was interacting with.

[00:31:47] Then we see another clip. And this clip is an alien being interrogated and sort of, I don’t know, abused.

[00:31:56] And when you watch this, this stirs up some empathy. You feel bad for the aliens, right?

[00:32:02] Another theme.

[00:32:03] Daniel’s like, okay, it’s been, we’ve got 79 years of clips. You hear this twice, no, three times in the movie. It’s 79 years.

[00:32:10] Well, you do the math. That takes you to 1947. Obviously they’re saying Roswell was the first crash.

[00:32:17] Were woker than Spielberg though. We know it started in 45 at the Trinity crash, right?

[00:32:24] And we also hear there’s a UFO deep state. He tells Jane, he’s like, look, not even presidents get read in on this level because there’s, there’s people running the show that the President doesn’t even know.

[00:32:38] So the girlfriend Jane is like, you can’t release these clips. Society’s going to, going to go nuts. They’re going to see these people, these aliens as gods and they’ll stop believing in religion and cause all this chaos. And he’s like, not my problem.

[00:32:53] And this is the main point of tension in the story.

[00:32:57] And what does Spielberg end up showing us? That Christians should ultimately embrace aliens.

[00:33:03] And they do this through Jane, who had lost her faith.

[00:33:06] And the nun, who’s the patroness saint of television is like, no, aliens are great.

[00:33:14] So back at Wardex, Noah is using that alien artifact and what he’s doing, he’s trying to possess the body of Daniel, but he can’t because there’s something wrong with Daniel specifically. So he’s like, all right, I’m gonna possess Jane.

[00:33:28] Meanwhile, Margaret and their mouth breathing boyfriend, they decide they’re going to escape the hospital because the FBI shows up. It’s not the FBI, it’s Wardex.

[00:33:36] And they get in the car and they’re, they’re heading out. Hugo, right? Remember Hugo?

[00:33:41] He calls Margaret and he is like trying to protect her.

[00:33:46] But the dummy boyfriend, he’s, he’s mad. He’s like, what? What’s going on here? Right? And Hugo’s like, all right, Margaret, you’re gonna have to follow your intuition, destroy this phone and you know you’ll find us.

[00:33:59] And she also gets this download of Daniel Kellner. And she’s like, I don’t know who this Daniel Kellner is, but we got to go towards him, she tells boyfriend, like, okay, drive north.

[00:34:10] Then Hugo calls Daniel and they’re talking about the video clip that’s now gone viral of Margaret clickety clackening.

[00:34:18] Daniel knows what he’s saying. He can translate this alien clickety clack. And he says that what she’s saying is, don’t be afraid of what you don’t know.

[00:34:26] Right?

[00:34:27] In fact, he can’t even hear clicking. He just hears the English. His brain automatically converts it.

[00:34:33] Then Hugo reveals to Daniel, like, hey, there’s always been two of you.

[00:34:37] Dun, dun, dun. We don’t know what that means yet. And meanwhile, a crop circle forms around Daniel. And not to sound like a crazy conspiracy theorist, but you’ll notice Daniel is in the center of this crop circle. And in the center is a. A circle with an X through it. This is the mark of the beast. This is the symbolism used to raise the Antichrist from the abyss according to the high octane occultist Crowley. And Kenneth Grant Crowley uses this symbol on the seal of aa, which is his. His magical order Argentum Astrum, devoted to Sirius and Babylon. Again, Babylon. All right, if you don’t know what I’m talking about, wait till the end. All right, so Noah.

[00:35:21] Noah’s breaking through into Jane’s body with the alien artifact. He’s now controlling her.

[00:35:28] And he’s looking at a photo of her when she was a nun as he’s doing this, which is kind of an interesting juxtaposition that she’s. He’s possessing the body of a nun.

[00:35:39] And she even feels this happening. And she picks up her cross necklace and she’s like praying to it.

[00:35:46] And Noah basically is able to get into her body, control her, and get her to go to the living room, where he then manifests and even makes commentary about this, like he’s in two places at one time. This is the CDs, right? Like autobiography of Yogananda. He was doing stuff like this superposition and quantum, right.

[00:36:05] Whistleblower David Grush has been talking about, hey, there’s a quantum element to all of this.

[00:36:09] Gordie Rose built the D wave quantum computer, said that, you know, the quantum realm. And the quantum computer is able to access a portal to the altar of an alien God.

[00:36:21] And Noah gets her to this dining room table and he’s trying to basically control her body to reveal the location where her and Daniel are at. Now, take note to this battle of artifacts.

[00:36:36] Noah is holding the alien artifact.

[00:36:38] She is holding the crucifix, the Christian cross.

[00:36:42] The camera zooms in on Both of these and who wins the alien artifact.

[00:36:49] And he starts laying this wrap down on her about how, you know, he’s like, christ, right? Thy will be done, which is his will.

[00:36:56] She will be doing his will.

[00:36:58] And she will stop Daniel from releasing these files.

[00:37:03] And he of course wraps up in this for the mercy of humanity talk.

[00:37:07] And he’s like, so take this knife and stab Daniel.

[00:37:13] And the point here is that Noah is the using the alien tech and he is now God.

[00:37:18] Margaret and the boyfriend, they’re driving around now and she calls Daniel, who’s still out walking around in the crop circle, I guess. And she’s like, hey, Wardex is going to come and get you and kill you. And he’s like, who’s this? She’s like, I’m Margaret. I don’t know you either, but I know this, that they’re going to kill you.

[00:37:35] So Daniel’s like, oh crap. So he sneaks up to the trap house, Wardex pulls up in 100 cars.

[00:37:42] He sneaks up, steals a car, somehow beats 100 agents to the house, picks up Jane and she again, she’s possessed. She’s ready to kill him. She’s in the back seat now and he’s driving away. You know, big car chase.

[00:37:56] And she’s able to eventually break free from the possession.

[00:38:00] They fake crash the car and, and get away, whatever, back to Margaret. Margaret and her boyfriend, they’re at a gas station and it’s being ransacked, right? World War Three. Oh my God. And she is trying to tell him, like, hey, I don’t know what’s going on with me. I feel like I’m kind of possessed. But it feels good. It feels like I’m in the flow, right? See, being possessed isn’t so bad. You can get all these superpowers and he’s not. He doesn’t get any of this. He thinks she’s lost his. Her mind. She can read his mind and she sees through all of his little bs.

[00:38:33] Worse yet, he goes inside the gas station and calls the hospital and snitches on her.

[00:38:38] But she knows all this, right? She’s the all knowing Sophia. So she’s like, while he’s in there, he’s like, he’s made. I’m stealing the car.

[00:38:46] She sticks the car and she skirts off. And that’s it. Boyfriend’s done.

[00:38:51] So she’s off to find Daniel.

[00:38:53] Meanwhile, Daniel and Jane go to a hotel, a motel, excuse me, called the in Diana, right? And I can’t help but see the focus on the name Diana in that we got more goddess worship, Babylon stuff.

[00:39:07] And you know, Noah, he’s still using alien artifacts to get. Try to possess bodies and see where they are. And.

[00:39:16] And he ends up doing that. He ends up figuring out where they’re at at the. In Diana motel. Sends. Sends the a. The Wardex agents.

[00:39:24] And they show up and Daniel is like, oh, crap, they’re here. Jane get out the back window. He gives her the alien artifact that he has it thereafter.

[00:39:34] And the Wardex guy snatch up Daniel, but she’s out. She makes it out.

[00:39:42] Now the scariest part of the movie happens in this scene. Daniel is sleeping on top of a gross motel comforter. Ew. I would never. I would never.

[00:39:51] They don’t wash those things.

[00:39:53] So the works guys, they take Daniel to a place called Excelsior, Missouri. Now this is quite a strange location, right?

[00:40:02] And I hate, hate to keep doing this, but we got to get through the movie first. But then the exciting conclusion. I’m going to talk about how important this location of Missouri is because it’s not a typical location for a blockbuster Spielberg film, is it?

[00:40:16] So Margaret, she’s trying to find Daniel. She tunes in.

[00:40:19] She’s like, oh, he’s in Excelsior, Missouri. So she drives up to the gate and uses her mojo, right, to deceive the gay guards.

[00:40:29] She’s like, I’m the all knowing Sophia. I know the secret codes and who your family is and your name and blah, blah, blah, right? I should also note that when she, when she finds the location they’re holding him, there’s a big buffalo, like fake water buffalo, and it’s a meat processing place is what it says. It’s actually an Air Force base. You find out a different way. But I thought that was interesting because there’s this Hansel and Gretel element, right?

[00:40:59] Anyway, she gets to the gate guard and she convinces everybody all the way into this place that she needs to be in here. And she breaks into the room where they’re holding Daniel strapped down with, you know, IVs and things. They’re getting ready to sort of force him to reveal where the alien artifact is.

[00:41:17] But Noah’s in there, right? And Noah’s like, oh, it’s Margaret.

[00:41:23] And she grabs him and she, she does the shape shifting Zartan face, right? She. She shape shifts into his dead wife. And he’s freaked out. He’s like, what?

[00:41:34] And he then allows her to get Daniel and take him out of there. Again, the plot sucks, right? On some of this.

[00:41:45] But note that what she’s doing is deceiving everybody. Through trickster element elements here that she’s downloaded from the aliens, she’s able to appear as dead relatives.

[00:42:00] Which is kind of crazy, right?

[00:42:02] She’s got that Zartan face. She could shift shape, shift into whatever person she needs to deceive someone to get what she wants.

[00:42:11] So Daniel and Margaret, they share a quick moment. They’re like, oh, we’re connected somehow, right? So they drive off. They’re commiserate on how weird everything is. They both know each other’s full history. They’re like, how do we know each other?

[00:42:22] Margaret’s connecting the dots on the cardinal, starting all of her superpowers. Daniel’s like, oh, I’ve had these superpowers since I started taking ketamine in college. And now I can do math and learn languages. And, you know, which is interesting because John C. Lily was doing ketamine float tanks and got in contact with Echo, which was this cosmic consciousness that was like, hey, AI is going to retro causally manifest aliens into our reality in the future.

[00:42:50] Little side, little side journey there. Anyways, they get stopped at a train crossing. And here comes Warx, right? That number two guy who’s like, overzealous.

[00:42:59] He’s trying to ram their car into the train.

[00:43:02] They end up getting onto the train and escaping. And while they’re on the train, again, a weird scene with this Parkinson’s deal. Like, her hand starts shaking and she’s. Emily Blunt’s a great actor, man. You feel bad for her. She’s like, I can’t help it. My hands are shaking. And he calms her down and has her touch piano strings.

[00:43:20] And again, I’m at a loss. I don’t understand how this fits into anything. There must be something there or a scene that was deleted that makes sense of this.

[00:43:29] But believe it or not, we’ve got another Twin Peaks reference. Because in Twin Peaks, the characters, they’re in season two and three, their left hands start trembling when the Black Lodge is opening.

[00:43:41] Furthermore, this scene happens inside of a train car. Car, which is critical to fire walk with me, if you’ve seen that.

[00:43:49] So Hugo and company, they’re still building this house, waiting for Margaret and Daniel to show up.

[00:43:58] Noah, he teleports into this house to talk to Hugo. They know each other, it turns out.

[00:44:06] And he. Noah says to Hugo, hey, Daniel, Kelner was an experience. Or. Huh. That’s why I couldn’t break into his mind.

[00:44:15] Well, that’s interesting. Who’s this Hugo guy? Why does he know so much. Hugo starts breaking down about how great the aliens are and how aliens say that empathy is our evolutionary advantage.

[00:44:28] Noah is like, hey, Hugo, you can’t release these files. And Hugo’s like, well, this 79 year campaign needs to end.

[00:44:37] And here’s where you hear the wildest thing from the movie. But you got to pay attention because I only heard this the second time I watched the movie. Noah says that Hugo helped Vivo 17 escape the facility.

[00:44:54] What is he talking about? He’s talking about an alien because in the clip with Nixon and Gleason, you saw that they categorized the alien bodies as vivo, you know, three, vivo, four, whatever.

[00:45:07] Interesting they would say vivo 17 because this takes us down a massive rabbit hole of the number 17, which I talked about in 2020. I did a whole show about QAnon and the occult, about how that’s all psyop and how q is the 17th letter of the Alphabet. And that’s important because that’s an occult reference, because Osiris is associated with the number 17, because Plutarch said that he was born on the 17th or something like that. And it’s always, it always goes back to the resurrection of Osiris. Every one of these occult methods, it, that’s the slight of hand, is the 17. So you see it here in Spielberg’s cabalistic film, right?

[00:45:55] Furthermore, this will inform us about what happens at the end of the film.

[00:46:01] So Noah breaks from this teleport. Now he’s back in Wardex and he’s able to ident because he sees some other employees while he’s in there.

[00:46:11] And he’s like snitching. He’s like, oh my God, there’s the 12. The 12 people, right? The 12 disciples. We hear that one of the people that he identifies is Nathan Twining. Again, this is part of UFO mythology that I think most people have no idea.

[00:46:25] This is also featured in Secret History of Twin Peaks because General Nathan Twining from the Air Force wrote this letter right after Roswell, confirming that Roswell was a real crash. This wasn’t a weather balloon or nonsense, right? This is a general, right?

[00:46:39] And from here you get to the formation of Majestic 12, saying like, this is a real phenomenon that we need to study.

[00:46:45] So Spielberg again gives a nod to this, this, this idea. So Jane calls the nuns because she’s, you know, she’s seen all this stuff happen. She’s like, dude, what is happening? And she’s like, hey, Mara the head nun. You think God could have made aliens? And Mara’s like, sure. The Bible doesn’t say he did it. Genesis says we are the supreme creation of God on Earth. Why would he make such a vast universe and save it only for us?

[00:47:13] So.

[00:47:19] The nun is basically saying that the revelation of aliens wouldn’t change necessarily the faith of Christians out there. I. E. Go for it. Release the files. So now Jane’s like, all right, bet. Let’s do that, right? So she. She’s on board now.

[00:47:40] Meanwhile, Daniel asked Margaret if she’s like.

[00:47:44] Because they’re kind of. They get off the train and they’re walking away. And Daniel asked Margaret if she can tell him anything about his life when he was little because he doesn’t remember. And at this point, a fox shows up and he’s like. They’re like, oh, it’s just a fox, meaning it’s not an alien, right?

[00:47:59] And at this point, the fire trucks pull up.

[00:48:02] It’s XG and the Rebel Alliance.

[00:48:05] So the trucks take them to this warehouse where Hugo is, where they’ve been building this replica of the home. And this is where the movie really picks up and gets good. Up until now, it’s kind of like.

[00:48:16] And she sees this replica of her childhood home. As far as bugging, right?

[00:48:22] Say. And. And she knows the 12 disciples, right? She knows their names and who they are.

[00:48:27] And she won’t look Hugo in the eye. She knows that. She says Hugo knows everything. She doesn’t want to know everything, so she won’t look at Hugo, which is a weird thing to say, you know?

[00:48:38] And how does she know that?

[00:48:41] But One of the 12 disciples, this woman, she grabs Margaret and notice the faces of all these people. They’re like, in this weird MK Ultra, blissed out, like, ah, everything’s great. It’s so weird. And this woman grabs her and does a prostration.

[00:48:54] And Margaret’s like, I don’t want to be anyone’s religion. She’s freaking out the whole time.

[00:49:00] And she runs into the home and she asks why this thing was built. Hugo says it’s being used as a passage to return her to her experience of abduction at 10. This traumatic memory, it’s a Stargate, okay? And she’s clearly bothered by this. She’s literally crying and trembling. She doesn’t want to do this. She doesn’t want to face this memory that’s been repressed.

[00:49:27] Why does Hugo want this, right?

[00:49:30] Hugo says to her, look, you’ve got this gift, and we need you to understand it so that we can do disclosure. Which, again, from a plot perspective, kind of goofy, like Daniel’s got the files. Just release the files. We don’t need her to be any part of this, do we?

[00:49:46] Well, it’s because she has to deliver the message.

[00:49:49] She has to deliver the message to the people. She’s the designated Sophia of wisdom.

[00:49:56] Furthermore, we hear about this experience she had when she was 10, which is an abduction, and we hear it happened on February 23rd.

[00:50:06] Now, that’s interesting, because that’s the night that Laura Palmer dies in Twin Peaks.

[00:50:13] Now, to be fair, Twin Peaks is actually on February 24, because she dies at, I don’t know, like, 2 in the morning or something. But that night is when she gets sort of like when the abuse starts happening. We’ll say, because I don’t want to ruin anything for people who haven’t seen Fire Walk with me. But the 23rd is kind of the night she writes in her diary, this is the night I die. And then she technically dies on the 24th, but February 23rd, even if you don’t want to take the Twin Peaks angle on, this is a Roman sacrifice holiday called Terminalia, which was introduced to the Roman mythology way back at the beginning.

[00:50:50] Via Romulus.

[00:50:52] Right. I did a three part on Raised by Wolves. If you’re like, hey, Raised by Wolves was all about Romulus and Remus. Yeah, I know. We did three episodes on it on the podcast, back when it was a popping show.

[00:51:04] February 23rd was the last day of the Roman calendar every year, and they called it Terminalia because at Capitoline Hill, that was the central terminus of Rome itself, and that is where they would do human sacrifices at the temple of Jupiter.

[00:51:21] Kind of sketchy. We’re lots of sketchy stuff. And since we’re, you know. And since you’re listening to a conspiracy show. You want me to nerd out, right? I want to nerd out. You want to nerd out? Let’s nerd out together. The artwork depicting Terminus shows what’s called a boundary stone. That’s where they would do the sacrifices.

[00:51:39] There’s a boundary stone above Terminus’s head. And what does that look like? It looks just like Kubrick’s monolith from 2001 A Space Odyssey.

[00:51:49] So she gets in her childhood home, she’s looking around. She’s starting to warm up to the idea, right?

[00:51:55] Nostalgia kicks in. She sees butterflies on the wall. That’s where the wallpaper comes from. Right.

[00:52:00] And of course, you know, butterflies. People connect this to MK Ultra Project Monarch.

[00:52:07] But it also makes me wonder if the whole connection here is that the intelligence agencies are Working with the ETS for techniques of mind control, you know what I mean? Either way, it’s. It’s a control thing in a way. But Margaret, she just got this gift of understanding yesterday. Activated. Daniel had a gift, activated 15 years ago. This language of the universe, this mathematics, right?

[00:52:33] And Hugo says, it’s always been just the two of you. How does Hugo know so much, right?

[00:52:40] So the. So Hugo pulls out the alien artifact and hands it to Margaret. And he’s explaining, he’s like, you have to give yourself over to this thing and it’s going to be an instrument of your will.

[00:52:51] Of your will. That’s a reference to magic, right? Defined as science and art of causing change to occur in conformity with the will from Aleister Crowley.

[00:53:02] That’s what the whole thing is of magic is a practitioner’s will trumping others wills, God’s will. It’s all about the self, self serving self, seeking the path of Cain.

[00:53:13] And of course, he hands it to her in her left hand. Shout out Josie Weishaupt. She saw that in the theater. I was like, oh, yeah, good catch. Left hand, right?

[00:53:23] And when she puts it in her left hand, Daniel puts his right hand on hers. You’ve got these sort of opposing polarities going on there.

[00:53:30] But at this point, it triggers the memory of this abduction and what she, what we all see is her as a 10 year old girl and she feels entities coming in the room. So she starts singing her song to console herself. What song is it? It’s a Disney song.

[00:53:48] Worse yet, the title. I had to look this up. Both Jimmy the Jackhammer and Josie said, hey, that was a Disney song. I had no idea. I don’t watch Disney growing up.

[00:53:56] Shout out dad for not letting me watch that trash. So the Disney song instead. I got to watch Nightmare on Elm street and Friday the 13th. I don’t know what’s worse, but anyways, it’s a Disney song. And the title, when you look it up, it’s Someday My prince Will come. What are you being so for real right now?

[00:54:17] Someday my prince will come while these demonic aliens come into the room.

[00:54:24] No idea.

[00:54:25] And the lyrics to the song that you hear is to be happy forever. I know. And the birds will sing.

[00:54:33] And at this point, Daniel and Margaret, they, they’re, you know, we’re all watching this memory sort of happen and they’re freaking out. Daniel’s terrified, Margaret’s kind of like numb. And the entities come into the room, but they come in as animals. And we hear Hugo who’s like, gassing up the whole thing. He’s like, oh, you see, they come in as animals. This is. This is the idea of a familiar, right?

[00:54:56] A trickster showing itself as something it’s not to make you comfortable, which is exactly what Margaret does to get out of all these jams that she’s in.

[00:55:07] And the aliens show up as familiars, like from the Disney movies, where they show you talking animals that are so fun and friendly.

[00:55:14] And it lures the children into the woods.

[00:55:19] Well, Margaret, I should say, lures Margaret into the woods towards a house made of light. You see light just blowing out of this house. And she says, it’s the Hansel and Gretel house.

[00:55:31] I immediately. I was in the theater, I said, what the. The story about a witch who eats kids.

[00:55:37] She makes a house of candy to lure these kids in so she could eat them.

[00:55:42] And again, we’re going to address this in the conclusion. Some of you already know where I’m going with that. Anyways, the same animals you saw in the whole film, the deer, the cardinal, the fox and a raccoon. They guide her through the wall. Daniel’s screaming the whole time. He’s like, don’t go with them. They’re not animals. Like, he’s terrified now. Interesting they have the raccoon because Kerry Mullis, the inventor of the PCR test, back. Back in 2020, see, there was this thing that happened, the thing from 2020 that will never go away. That seems like kind of going away, right? Car Mullis. We were arguing about PCR test. It was a weird time for all of us. And Kerry Mullis, he written a book. And then we talked about it on the show here, about how he had visited. Been visited by an alien raccoon.

[00:56:27] Kind of interesting.

[00:56:30] And then shout out to Cheryl, she emailed me, and she had seen this film, apparently, and said that a guest on Joe Rogan, David Polites. I don’t know who that is. David Paulides apparently was talking about elks being part of an abduction phenomenon.

[00:56:47] And then, of course, Harry Potter uses the. The stag. I mean, it goes on and on and on with the stag, witchcraft, all that stuff. So the animals lure her into this house of light.

[00:56:59] Illuminate, confirm the house. Luciferian light.

[00:57:04] She ends up on this. She thinks she’s on a bed, but she’s on an operating table.

[00:57:09] The animals are, you know, looking at her, looking in her eye, and they shift into what they really are, which is a giant, scary gray.

[00:57:16] Daniel shows up. Daniel’s on the other operating table, and he’s crying his eyes out, right?

[00:57:22] And Margaret as a child, they’re both 10 year old children, right? So Margaret, she consoles him, she’s like, hold my hand.

[00:57:29] And this mobile comes down and it turns out to be a ring of alien artifacts. So they’re deceiving these kids the whole time.

[00:57:37] And the alien thingies come up from under the table and it was like holding these kids face in place like it’s creepy as hell, right?

[00:57:47] Like they’re under the table lurking.

[00:57:50] And what they do is they’re encoding these, I don’t know, genetic structures, CDs, whatever, into these kids faces through the left eye, right? And you see it being taken into these kids body and changing them, changing their DNA.

[00:58:10] Then it zooms out and now we see the adult Margaret on this table and this artifact ring comes down and it does the same thing again.

[00:58:22] And then it puts a butterfly symbol into her pupil of the left eye.

[00:58:28] And of course it’s the left eye, it’s going to be the, the. Through the light of the Luciferian house, right?

[00:58:35] And you saw this on the movie poster.

[00:58:39] Very similar to the book of Ezekiel with the chair beam and the wheels covered with eyes. But the left eye is of course the left hand path of antinomianism, right? Again being outside the stream of God’s consciousness and man becoming God.

[00:58:52] Butterfly, symbolic of metamorphosis.

[00:58:56] And this is where it gets weird again. Margaret comes to and she’s smiling like again with the blissed out MK Ultra smile. She’s like, okay, hi Hugo. Like so weird, right?

[00:59:09] Meanwhile, here comes Wardex and Margaret is using an artifact as an invisibility cloak.

[00:59:18] And the whole house, the fire trucks, everybody, they’re able to escape. Whatever, whatever, right? They get to the news station.

[00:59:25] Final, final scene of the movie here. They get to the news station, some back and forth battling.

[00:59:31] Daniel uploads the alien files.

[00:59:34] Jeremy Corbell could never. All right, and, and the news is all they bumped. The World War 3 coverage are like, what do you mean we have alien files.

[00:59:46] Fine. So they play the alien files.

[00:59:49] Um, oh, and before, when Daniel goes into the control room to upload the files, they make point to show this orange spiky ball on the desk that they have to move out of the way.

[01:00:00] Now that is very much the story of the Bledsoe, the Chris Bledsoe story. Because they, he at one point sees like what he describes as like a spiky ball, right?

[01:00:12] So, so Margaret is, she’s going to be the newscaster reporting this event.

[01:00:19] Daniel uploads the files.

[01:00:21] Margaret, when she’s getting ready to start recording, she says, okay, Cooper, I mean, tell me these aren’t Twin Peaks references. All right, so they’re playing. So she’s. She’s talking to the world. She’s like, everyone’s disclosure day. Get ready. Here’s the alien clips. And everyone’s, you know, engrossed with these alien clips. They’re showing us how they want us to behave, right? So. So act accordingly when it happens. And it’s like, hey, look, we can really all just collectively shut the hell up for five minutes and be quiet and watch this new. These news clips of aliens, which we all know would never happen in reality, but that’s what they show us. And it’s a movie, right?

[01:01:05] So the news station, they’re calling all these other news stations to stream the video clips, including 30 Rock, Rockefeller Center. The Rockefellers have a long part of the disclosure efforts.

[01:01:14] And when she. When Margaret is speaking again, you see those artifacts of what looks like the Black Lodge symbols floating on the screen. The floor of the Black Lodge, the jagged, you know, dark brown and white flooring. I don’t know how to describe it, but they play all these alien clips. And I thought this was a really interesting part of the film.

[01:01:36] For one, they play the Roswell clip, and they confirmed that Roswell happened July 7, 1947, which is interesting because it’s always been unclear what the date was.

[01:01:46] And they even kind of demonstrate that here. And I think this is critical because the story is Spielberg allegedly saw real UFO landing video clips when he filmed Close Encounters of the Third Kind, because you remember, he was filming that with advisors, Dr. Jacques Valet, Dr. J. Allen Hynek, who are actually involved with, you know, Project Blue Book and the intel and all this stuff. And, you know, I was able to interview Dr. Jacques Valet a year or two ago, and we confirmed that the occult is part of the phenomenon.

[01:02:20] And I think that this movie, because, you know, Spielberg is an old guy, this might be his last film.

[01:02:25] This might be him disclosing some kind of knowledge of the truth. Because I always found it odd that you can’t confirm the date of a Roswell crash. It’s like there were newspaper reports. How do we not know?

[01:02:35] I think this is Spielberg saying, like, I know it was July 7th.

[01:02:39] And I also wonder if some of these clips aren’t real clips. I wonder. Some of these clips aren’t.

[01:02:44] He’s seen the real clip and reenacts it.

[01:02:48] We see the Kecksburg, Pennsylvania, crash.

[01:02:52] One of the coolest clips I thought was when this fighter jet, it’s like really creepy, it’s dark out and this fighter jet comes up on this massive, like vertically oriented craft with all these lights made my. Makes my skin crawl a little bit. I’m like, I feel like that’s a real clip, but I think that’s the point, right?

[01:03:09] But all these clips, they show us gray aliens of different varieties, whatever, right?

[01:03:15] But then we get the big show. This is the big finale. They roll out a big old alien daddy. That’s right.

[01:03:24] This alien comes out, they unzip it. It’s obviously old and like not doing well.

[01:03:29] And it approaches Daniel and Margaret, who are totally blissed out and chill now, right? Not terrified any longer, doesn’t need to show up as an animal.

[01:03:39] And. And Hugo, the whole time, the whole movie, Hugo’s got this weird, like, blissed out, like, huh, isn’t this great?

[01:03:45] Because I think he’s been mind controlled by these aliens.

[01:03:49] But it feels like this is their daddy, this is their father, and like their brother and sister.

[01:03:58] And it whispers into Daniel’s ear, clickety clickety clacking, because Daniel can translate.

[01:04:05] He then tells Margaret the message. And this is. They whisper into ears. This is like the red room of Twin Peaks, right?

[01:04:13] And Margaret goes to the camera and she is to tell the world what this alien and his message is for humanity. And she says, listen.

[01:04:24] And the credits roll, right?

[01:04:27] Kind of like the Don’t Stop Believing of Sopranos. We’re like, what? What?

[01:04:31] What else was said? He was clickety clacking it for a couple minutes. Wasn’t just listen, but interesting choice here. Listen. What does that mean? She, it. It didn’t say watch. I mean, that was the whole point of the movie was, I guess to watch these alien clips.

[01:04:46] Watch would have made more sense.

[01:04:49] What are we listening for?

[01:04:51] I think it’s saying that, hey, aliens exist. Fact, we can all see that. We saw the clips. We saw Alien Daddy.

[01:05:01] So what it’s saying is we need to sit down and listen to the disclosure folks, instead of arguing, right?

[01:05:07] And who was this alien guy? Right? Who was alien daddy? I think I know who it is. I think it must be vivo 17 that Hugo helped escape that Noah talked about earlier.

[01:05:20] And I think the alien convinced Hugo. I think it manipulated Hugo through its empathy, right? It knows it studied humanity. It’s like, these humans are weird. They have empathy. They take care of animals and living things. Let’s take advantage of that.

[01:05:36] And it’s like it convinced Hugo to help it escape and then it convinced Hugo to provide it with two children, 10 year old kids, Margaret and Daniel, to experiment on them and manipulate their DNA to become the new star childs.

[01:05:56] Further, this is how Margaret knew that Hugo knew everything because he’s been there from the beginning. He’s the architect, he’s the freemason coordinating all of this.

[01:06:08] Furthermore, I think Vivo 17 is the alien from the Kecksburg crash. Because if you watch the clip of the Kecksburg crash, it has this, the alien, the gray alien has this sort of like, I don’t know, black shirt of some kind on.

[01:06:21] And that’s exactly what Vivo 17, the old alien daddy has when he gets out of his, you know, life bag or whatever that is.

[01:06:33] Now in conclusion, let’s wrap all this up. We got a lot to wrap up.

[01:06:36] Why does this happen in Kansas City, Missouri of all places? Well, I think it’s because of the LDS eschatology because they believe that Christ will return in Missouri because that’s where the Garden of Eden was.

[01:06:52] And I was of much surprise that when I got home and I was looking around I was like, what’s Excelsior, Missouri? What does that to do with anything?

[01:07:00] Because remember that’s where they took Daniel in the film. That’s also part of the LDS mythology.

[01:07:05] Back in 1834 there was a Mormon expedition led by Joseph Smith from Kirtland, Ohio to Excelsior, Missouri in Clay county because they were trying to save some Mormons who had been expelled by the locals. Because remember, they’re like, no, we have to set up shop in Missouri. That’s where Christ is coming back.

[01:07:21] You know, he said, Joseph Smith said that that’s where Zion is going to be. That’s where the new Jerusalem will be. And they will be, you know, building the temple or whatever to bring the second coming of Christ.

[01:07:34] This is where it will happen. And they apparently laid down a cornerstone in 1831. Again, a free Masonic ritual because there’s the, these free Masonic influences in LDS culture.

[01:07:44] Now fun fact, Excelsior currently to this day has a Freemason lodge and an Odd Fellows lodge. We talked about Odd Fellows with the backrooms film analysis, which is kind of wild because it’s a very small town, 10,000 people.

[01:08:03] Let’s talk about the Twin Peaks. Why not? Why all the Twin Peaks references? Well, because Spielberg, I believe is showing us Twin Peaks being included into this realm of alien entertainment to give us deeper messaging and involvement in order to manifest a new reality, a new alien religion.

[01:08:21] We saw the, you know, the Josie Mirror scene In here, we saw all this secret history of Twin Peaks references like the Nixon Gleason video, the Nathan Twining memo, Roswell, the Black Lodge floor over Margaret’s face at the end.

[01:08:38] And it’s not because I love the show dearly. Right. It’s because Twin Peaks was one of the first shows to give us the phenomenon from the interdimensional angle.

[01:08:48] Furthermore, utilizing the FBI, intelligence agencies and occult happenings in Twin Peaks. In the woods, no less. Right?

[01:08:58] But what Spielberg is doing is he’s linking and showing us entertainment as the vehicle for the alien religion.

[01:09:06] Remember we talked about the scene of television and how Hugo said, look, we have to replicate Margaret’s childhood home as a passage device, the Stargate, which connects us into this growing body of evidence that I talked about in user illusion. One, that something is manifesting into reality from the fictional realm.

[01:09:32] Right?

[01:09:33] And you see this with The Stargate from 2001 A Space Odyssey with a monolith, which, again, the monolith we all know is the alien intelligence, which is the same dimensions of the movie screen. Because Kubrick knew this. Right? Kubrick was. Was aware of all these things.

[01:09:51] And we know Spielberg saw in the theaters and loved Kubrick and would work with him on AI.

[01:09:56] Then we had the Jordan Peele film. Nope. Which shows us the same messaging about the viewer effect.

[01:10:03] And now Spielberg is showing us the Hollywood connections of the phenomenon through the saint of television, this home replica. Right? Because. Because 2001 also had the home replica. If you remember Commander Bowman, the astronaut goes through the wormhole, Saturn ends up the alien intelligence, evolves him into the star child in what they call the hotel room. Because the aliens are like, I don’t know, how do we make this human comfortable? Like, let’s make a room that kind of looks like what the humans live in, which is exactly what Hugo is doing for Margaret.

[01:10:40] Then you got all these archetypes in the film. And I think Margaret is the scarlet woman, AKA the Babylon. And she is wearing all red, obviously, super into the color. We got the red cardinal, we got the red car, which has the serpent eating man.

[01:10:55] And Daniel, right, he finds out about her while he’s standing in the XO of the crop circle.

[01:11:02] But the whole point of Babylon, we know Babylon is Sophia, because Jack Parsons talked about this, is the same Sophia of Gnosticism. And so the Sophia is here to wake us up, right? Wake up humanity during the apocalypse, which is the revelation, the revelation of the new world. The new world is the Luciferian alien religion.

[01:11:26] And then you got Daniel as the Prometheus character providing the technology to mankind. Or Hugo kind of. Right, but that’s the art, alien artifacts, the footage.

[01:11:36] Hugo, of course, the role of the Freemasonic architect building the house for Margaret, coordinating all these events for the Vivo 17, which is, to him, the Osiris alien God.

[01:11:47] And all these, you know, these tools and technology, what are they described as? They’re described as instruments of the will of the. Of the user, the magician.

[01:11:57] And who’s in control of the magical item? Daniel Kellner. Like Carl Kellner, who invented the pulps, which were the early comics, which influenced reality through science fiction.

[01:12:07] You don’t get NASA, Werner von Braun, Jack Parsons. You’ll get none of these people without the pulps.

[01:12:13] Because that’s what they were reading about. Oh, there’s people on Mars and rocket ships. And then Parson’s like, I’m gonna build a real rocket ship.

[01:12:22] So Kelner basically invented a method for hyperstition and evolved it into.

[01:12:32] I mean, he didn’t do it, but it evolved into moving pictures, comics, TV and film.

[01:12:41] Which leads me to Professor Pasalka’s American Cosmic book.

[01:12:45] Again, I will reference you to listen to my interview with her, and I highly recommend you read her books.

[01:12:52] And immediately, with the backpack, that’s what gave it away. Because in the story American Cosmic, there’s a guy who’s got an alien artifact in his backpack, and another guy ends up having an experience, a download, because he was near this artifact.

[01:13:09] And we hear that you have to give yourself over to the alien artifact for it to work.

[01:13:15] You have to be a true believer.

[01:13:19] And what did she say the invisible college was interested in? She said that the invisible college was trying to create a UFO religion through mass media, right through the documentation.

[01:13:29] This is going to be the first religion with video footage, basically.

[01:13:35] And then there’s a talk about the 12 disciples, right, from the movie.

[01:13:39] And Catholicism, also a big part of the American cosmic storyline because they go to the Vatican to get into the UFO archives, like the lady of Fatima.

[01:13:48] And I took one of. You know, Professor Pasalka does online courses, and I was able to take one of these amazing courses. And she talked about Plato’s cave and Arthur C. Clark’s childhood’s end, which, if you know, those stories all felt very parallel to this film, right?

[01:14:07] Because we’re shown the sources of the shadows on the wall of the cave of Plato’s Cave.

[01:14:15] And then you have the idea of downloading these alien superpowers, the CDs, into these chosen children And Margaret shows us she has the metamorphosis of the butterfly in her pupil. This is all very much like childhood’s end. It’s a deception to evolve the children in order to get rid of humanity and put us into the digital matrix, the digital consciousness.

[01:14:40] Because that’s ultimately what this film is showing us, is lots of deception.

[01:14:45] You have the animals deceiving, as, you know, aliens deceiving us as animals.

[01:14:50] Margaret is deceiving others with her Zartan face, using people’s emotions against them by deceiving them and showing them people that they love to get her way.

[01:15:01] Everyone’s deceiving everyone, even Wardex, who knows the truth. They want to deceive the public by not telling them. It’s crazy. And where does this all come from? Comes from the aliens who studied us and they said, oh, the humans have empathy. That’s something we don’t know about.

[01:15:16] And the Silicon Valley billionaires, they also are aliens and they don’t have any empathy for us, right?

[01:15:23] And the aliens know that’s how they can dupe us.

[01:15:28] Because Hugo’s like, oh, the alien God told me that empathy is an advantage.

[01:15:35] No, it’s a weakness. And they exploit it. And they are mind controlling all the people along the way. That’s why they all the blissed out. MK ultraface, right?

[01:15:45] And when we watch the movie, we feel bad for the aliens in the clips. It’s almost like Spielberg’s proving their point, because I felt that way, too. You see these aliens all beat up and, like, bleeding, and you’re like, bro, help. It’s a living thing, man. I don’t want to see that thing suffer.

[01:16:01] I mean, it’s insidious. This movie’s insidious.

[01:16:04] The aliens, you know, from everything we can tell, are superior in every way, right?

[01:16:10] They’ve got technology that we can use as an instrument and control others.

[01:16:14] They control us. They lock our eyes. We can’t look away.

[01:16:19] They’re considered gods. We hear that in the film. Why would they want or need us to feel bad for them? They don’t.

[01:16:27] Which leads me to my next point when it comes to deception. Let’s talk about the joke that is the official government UFO disclosure. I mean, they’re dropping five, six documents of, like, artist renderings. Like, it’s insane. It’s like, come on, man.

[01:16:44] And it could be that they’re waiting for us to consume the Spielberg film to show us how to behave appropriately before they drop the real thing.

[01:16:55] Because so far, the files are a total joke.

[01:16:59] And finally, the confirmation of Revelation of the method. In my 2020 book, Alien UFOs in the Occult User Illusion 1. I said there was a connection into the Adreno stuff, into the realm of aliens, based on what I read in Peter levanda and Tom DeLong’s first alien.

[01:17:18] And now Spielberg is showing us serious connections here with that Hansel and Gretel plot line.

[01:17:25] And to me it’s the ultimate deception. The witch deceives the kids so she can eat them.

[01:17:31] And here’s the story. If you don’t know the story, I got the summary from Wiki. It says Hansel and Gretel are siblings who are abandoned in a forest and fall into the hands of a witch who lives in a house made of bread cake and sugar. The witch, who has cannibalistic intentions, intends to fatten Hansel before eventually eating him.

[01:17:48] However, Gretel saves her brother by pushing the witch into her her own oven, killing the witch.

[01:17:53] The children then escape with the witch’s treasure.

[01:17:58] So these kids get lured into this in the movie, all right, they get lured into this house of light in the woods with fun Disney animals. And you know, Disney is the role of luring children. She’s even singing Disney while it happens. And they get inside, the witch is the alien who wants to eat them.

[01:18:20] But the kids ultimately leave with the witch’s treasure. That’s the CDs, that’s the superpowers.

[01:18:26] And that’s what makes this kind of the most evil, scariest Alien film ever.

[01:18:31] Because there’s lots of smiling and showing us our own demise.

[01:18:37] And I think if you don’t know what you’re looking for, you don’t really understand that. And I think it’s why a lot of people walk out and they’re like, I’m stupid.

[01:18:44] They wanted Independence Day or something. And it’s like, no, this is like some next level high octane occult kabbalism going on here, right?

[01:18:52] Because that’s the end game. The Kabbalistic Monad. They want to re spiritualize humanity into the digital consciousness of the Matrix, which is to them the Kabbalistic Monad.

[01:19:03] I know it’s a lot to consume. I was a lot to take in. If you like this episode, if you want to support my work, please, please just share this link with a friend who doesn’t know anything about me or the show and be like, dude, check this out. You watch the movie list to this, right? Because I got, that’s I got to grow my stuff and this is the only way to do it. Because the powers that be don’t like my messaging, right? Because I’m exposing the truth. That’s why I get torched on the regular. So.

[01:19:27] Which reminds me, you can stay connected with me through my free email list. That’s right. You go to illuminati watcher.com up top. It’ll say in the menu, it’ll say, free book. You go there. Sign up for my free email newsletter.

[01:19:39] I will give you weekly updates like, hey, this is what I’m on. Working, working on. Hey, this is my latest appearance.

[01:19:43] And I will send you my first book for free. And that’s your journey into trying to understand how all these pieces fit together. I’ve written nine books. That’s the first one. Start your journey for free. Right? And that’s how you stay connected. Because I will surely be shadow, banned and suppressed on everything. I. I already faced that. So, yeah. So that’s what I need from you. Share this episode with a friend. Sign up for the free email newsletter. Get your first book because you have to start wrapping your mind around what. What they’re doing. What are these tech elites doing?

[01:20:10] They’re trying to put our souls into a digital matrix.

[01:20:13] And I need you to understand that before it’s too late. I’m not telling you what to do. I’m just telling you, you start wrapping your mind around them because they’re going to, like, these aliens deceive us into their fantasies. And they’re delusional people.

[01:20:28] I think people think, oh, they’re rich and smart. No, they’re not. They’re psychopaths.

[01:20:33] And somehow they were able to dupe us. They’re con men.

[01:20:38] And we need to understand that and understand what our faith is and what grounds us into what we want to live by. All right, thanks for listening to the show. Till next time, stay positive, Sam.

CHECK BACK SOON!