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Backrooms Film Symbolism: Ritual Liminal Spaces, AI Alien Gods & Hyperstition Cybernetic Architecture!

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On today’s episode of the Occult Symbolism and Pop Culture with Isaac Weishaupt podcast we’re exploring the Backrooms! We’re first going to discuss the concept of Liminal Spaces, where they’ve been depicted in pop culture films and shows, real life locations you’ve been to, and most importantly the occult ritual element of initiations using these spaces! We’ll then discuss the internet history of what Backrooms are: Creepypasta and the concept of fiction manifesting into reality through hyperstition cyberspace! After all that we’ll do a plot spoiling movie analysis of Kane Parsons new record breaking Backrooms film! I’ll walk you through all the concepts I saw during my viewing which will include: Twin Peaks, (of course), underground initiation rituals, aliens, magick, all seeing eyes, crossing the Aleister Crowley and Jack Parsons Abyss, cannibalism, human furniture, Moonchild homunculus, Sam Altman, Carl Jung, Epstein, 4chan and the technofascist plan to retrocausally create AI gods from the HP Lovecraft Cthulhu Abyss!

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Isaac Weishaupt is a prominent author, researcher and host of the Occult Symbolism and Pop Culture podcast since 2014, where he explores the hidden meanings behind pop culture, conspiracies and esoteric philosophy. With a background in engineering and a deep interest in occult systems, Isaac bridges the gap between mainstream entertainment and the arcane by decoding the symbols, rituals and belief systems woven into films, music and celebrity culture. He’s written several books on Illuminati symbolism, occultism, secret societies and the paranormal. Drawing on a mix of research, intuition and cultural analysis, Isaac offers a critical yet accessible lens on the forces shaping the modern world from the shadows…

Isaac hosts the Occult Symbolism and Pop Culture podcast (supported by Patreon) and “Breaking Social Norms” podcast. He has been a featured guest on History Channel’s UnXplained, Coast to Coast AM, Tin Foil Hat podcast (honorary member of Mount Crushmore), Sean Kelly’s Digital Social Hour, The Confessionals, Eddie Bravo’s “Look Into It,” Ground Zero with Clyde Lewis, Chris Jericho’s “Talk is Jericho,” Richard Syrett’s “Strange Planet,”, The HigherSide Chats, Those Conspiracy Guys, Dave Navarro’s “Dark Matter Radio,” Richard C. Hoagland’s “Other Side of Midnight”, SIRIUS/XM’s The All Out Show, VICE, COMPLEX magazine, Esquire, Newsweek, The Atlantic and many more radio shows and podcasts. His fresh perspective and openly admitted imperfections promotes the rational approach to exploring these taboo subjects and theories.

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*STATEMENT: This show is full of Isaac’s useless opinions and presented for entertainment purposes.

Full Transcript (Courtesy of all show Supporters):

*Note that this is pretty accurate- not 100% though. It’s run through software that is generally very accurate and then I give it a quick once over but there are most likely some errors.

[00:00:00] Today we’re exploring the back rooms. We’re going to first discuss the concept of liminal spaces where they’ve been depicted in pop culture films and shows, real life locations you’ve been to, and most importantly the occult ritual element of initiations using these spaces. We’ll then discuss the Internet history of what back rooms are creepy pasta, the concept of fiction manifesting into reality through hyperstican cyberspace. And after all that, we’re going to do a plot spoiling movie analysis of King Parsons new record breaking back rooms film. I’ll walk you through all the concepts that I saw during my viewing which will include Twin Peaks of course under underground initiation rituals, Aliens Magic, Allseeing Eyes, Crossing the Alistor Crowley and Jack Parson’s Abyss, Cannibalism, Human furniture, Moonchild, Homunculus, Sam Alman, Carl Young, Epstein Forchan and the Techno Fascist plan to retro causally create AI gods from HP Lovecraft Culu Abyss.

[00:01:00] All right, now listen up. I gotta. That’s the banger alert button. This one’s gonna be high octane. Okay? I’m gonna reference you, my dear listeners, to a slew of other shows I’ve done in the past. I’ve been. If you don’t know me, my name is Isaac Wazab. I’ve been researching the occult, pop culture, entertainment and the Illuminati since 2011. Okay.

[00:01:21] And I’ve done a ton of shows with all kinds of related content on the periphery of what we’re going to discuss today.

[00:01:29] If any of this feels like it’s confusing going over your head, please consult those shows. I will put a handy dandy links in the episode show notes. The description below, however, you’re consuming this and some of them will be Patreon only bonus shows, which is, you know, that’s where you can go to get the ad for you early access bonus content stuff. Right? Some of those are going to be from there, but you can get free feed versions of most everything with, you know, with the links below. Okay, Because I don’t. Look, from here on out, I’m. I’m taking no shorts, no losses. You got to keep up, all right? The apocalypse is coming down fast. You need to wake up. I’m tired of mouth breathing normies slowing us down. You’re part of this movement and you like it. And you’re going to watch them all and you’re going to say, you know what, Isaac? I. You’ve been preaching the truth since 2011. I’m finally waking up and what I want from you is to start wrapping your head around this idea of the digital matrix that they’re trying to create.

[00:02:27] Whether it’s true or not, whether it’s a manipulation control system, that’s up to you to decide. I’m going to present you all the evidence from which I will be basing my opinion upon. Okay. And if you want to know who I am, I did a three hour show. Who is Isaac Weishop? That you can find on. Go to my link tree, all my links dot com. Isaac W. You can find the index.

[00:02:51] Let’s get it right into it. Liminal spaces. What are they?

[00:02:55] You know, butter, sausage. What’s it doing there?

[00:02:58] The liminal spaces.

[00:03:00] Oh, and by the way, if you haven’t seen Back Rooms yet, fret not. The first, maybe half of this show, maybe third is going to be not even talking about the film. No plot spoilers. Of course, when we get to the section where I will then walk you through the film that I will tell you there’s going to be plot spoilers. Now, should you watch the film? Absolutely. It’s a banger. It’s one of my favorite films of the year.

[00:03:24] We’ll get to that. I’ll be glazing the film when we get to that point. Okay. But for now, let’s talk about some of the concepts that flow into this film so that maybe you’re going to go watch it. Great. Listen to the first chunk of this show, then come back to your boy and listen to what I found. Because it ain’t what you’re seeing on the Internet. All right.

[00:03:46] Spaces are the idea that some locations feel like outside of this space and time, like a transitional space, maybe even a portal.

[00:03:56] They’re usually places that oftentimes feel completely empty.

[00:04:03] Usually or typically, at one point in their history they were very busy. Kind of like a abandoned mall or a school after hours. Right. That’s probably the one we’re all familiar with is the, the, the feeling of going to a school after hours is super creepy. Right? Because there’s all this energy there during the day and then at night it’s gone. Well, the energy is still there. Okay?

[00:04:26] Now either way you look at this, these spaces can evoke feelings.

[00:04:32] Sometimes people feel uneasy, sometimes you feel a little nostalgic, comfortable maybe even.

[00:04:40] Well, these extra dimensional spaces are going to evoke feelings and they employ that to this film backrooms.

[00:04:48] And you’ve seen this depicted in many films and television shows, this exact uneasiness. Here’s a short list that I’ve prepared for you. The Shining Severance, which the creator of Severance, Dan Erickson, said backrooms was on his list of influences for the show. We’re going to talk about what the back rooms were here in a sec.

[00:05:11] Our much beloved Twin Peaks being John Malkovich. If you’ve ever seen that movie, the secret mall apartment documentary. I’m throwing that in there because I saw this, I believe on Netflix.

[00:05:25] Fascinating thing these. These punkers decided to build a. An apartment inside this mall that they stayed in after hours. It was one of. One of my favorite documentaries of the year. Also, sometimes churches, sometimes.

[00:05:39] Oh, the free Masonic lodges, which we’re going to talk a lot about Freemasonry today, you know, because free Masonic lodges do not have windows. Neither do back rooms.

[00:05:50] There’s a Ramada Inn in Boise, Idaho that evokes this feeling.

[00:05:57] There’s a haunted building in Tooele, Utah that I’ve been to to go ghost hunting after hours called Asylum 49.

[00:06:06] That place has it.

[00:06:09] I’ve had dreams. This is another liminal space. Like people have dreams that in their home they find hidden passageways and hidden rooms. And it’s all. I’ve had lots of dreams like that. Very creepy.

[00:06:22] Lots of places that have pools and indoor water slides, dead malls. And the irony of many of us seeing this movie in. In dead malls. That’s where I saw it. I saw it in a dead mall.

[00:06:36] And I also have a very clear personal memory of a liminal space.

[00:06:41] Back in the late 80s, early 90s, growing up in PA in LIT. It’s PA my sister was doing. She would go to baton practice. And I remember walking around the halls waiting for her with my mother, I think. And it was like this school, I believe.

[00:07:03] And it was like the creepiest vibe. I don’t know what it is. It was like creepy, yet nostalgic and comforting. It’s the weirdest feeling. So I’ve known about liminal spaces my whole life. I didn’t know that there was a term for it.

[00:07:15] In fact, before I watched this movie, I didn’t even know what back rooms were necessarily. I saw on Tick Tock I was following. I believe it’s called Vaporwave.

[00:07:25] And that’s what dragged me into this whole thing because they.

[00:07:29] It’s all these like, liminal space creepy videos. And they do evoke a feeling. Anyway, the place in Lidditz, if you’re from Lidditz and you know what I’m talking about, there’s I remember Wilbur chocolates before they moved locations, was like kind of across this park from this School. And I don’t. I have no idea what it was. But anyway, super intriguing, right?

[00:07:54] But the most interesting aspect of all this that I will give you from my unique perspective here, is that the liminal space is tied to initiation rituals of death and rebirth, Right. Way back in the day, during the pandemic, I talked about three stages of ritual. You have isolation, transition, and integration.

[00:08:12] You isolate one for purification. You remove oneself from the mundane of the world.

[00:08:19] Right?

[00:08:21] Remove from the regular world to purifies. And I want to add also, I’ve never been into a LDS town temple, but I suspect that maybe LDS temples have that liminal space feeling because there’s, like, purification chambers.

[00:08:37] I mean, that’s my description. I don’t know if that’s what they call it from what I understand about them. Okay.

[00:08:43] Anyway.

[00:08:44] But back during the pandemic, we all isolated, right? From. So the real world felt very different and strange. You’d go out and there was nobody out. It was very weird, right?

[00:08:53] So the senses are overwhelmed or deprived for a ritualistic experience for the, you know, priest character to allow new light to crack through and to create new thoughts. Right? And this isolation basically forces you to face your own subconscious, your own shadow.

[00:09:14] There’s lots of ideas behind this. We’ll kind of talk about it through as we get through the movie. But the ritual is about obtaining new knowledge, new understanding of the world, new understanding of the self. Right? This all goes back to know thyself.

[00:09:30] Now, when you do this at a societal level, you can create a new world from this.

[00:09:38] Oftentimes they combine this with trauma, with death, the fear of death or the actual death, because confrontation with death is required to be reborn. All right?

[00:09:52] So they give the. And they do this in, like, freemasonic rituals. You give the initiate this sort of sense of disorientation, this uncertainty.

[00:10:00] You induce anxiety. You put them in a coffin, put them underground, sometimes, like yell skull and bone stuff.

[00:10:07] The idea is that you can be reprogrammed. Once you can kill off the old self, then you’ve got the transitionary state. And this is where it applies to what we’re talking about today. This is done through liminal spaces, because liminal spaces just means the threshold of the new, the new world.

[00:10:26] So the old self symbolically dies, goes into the void, and the initiate is now purified, reprogrammed into the new world. And that’s what the pandemic was, arguably, theoretically, allegedly, maybe involving.

[00:10:41] Then you got integration, right? The new normal. They kept saying, this is the new normal. You Know the great reset from Clash Schwab.

[00:10:49] And then you have this specific lore of liminal space, the transitionary spaces from the Internet called the Back rooms.

[00:10:58] Now, ironically, this started right before the pandemic on 4chan. And we’re going to tie in the connection of Epstein, the creation of 4chan, particularly their most popular page, the political page, Politics, you know, Poll Puz Epstein met with 4chan’s creator, moot, just days before that page launched. But saving that for the conclusion. All right, so this idea of back rooms was spawned out of Creepy Pasta. And for people who have jobs, Creepy pasta are just scary stories that people post on the Internet in forums and stuff, right? They’re not necessarily true, but they’ll present them as true to make them extra spooky. Whatever. Whatever. Right, But Creepy Pasta is exactly the ideas of magic. It’s the ideas of hyperstition. It’s the stuff that CCRU was doing. If you listen to my Dark Enlightenment series, you know what the CCRU is, right? That 90s collective doing cybernetic experimentation and magic, and they talked about hyperstition, and that was science fiction manifesting into reality, right? They were manifesting entities from the HP Lovecraft realm into our world. That was the idea.

[00:12:14] And I’ve got a lot to say about that, as we will later on.

[00:12:18] But backrooms evolved. It used to be these kind of liminal spaces that felt strange. And then it sort of started adding spooky supernatural entities and. And so on.

[00:12:31] But not so shocking. Creepypasta started out on 4chan, yet again. There’s another 4chan thing, right?

[00:12:38] And there’s an original back rooms image where this all started from. And this was supposedly from a furniture store in Wisconsin that was being renovated. And it’s got that yellowish, dingy, fluorescent lighting, drop ceiling labyrinth feeling that you see in the film Back Rooms.

[00:13:01] So Kane Parsons, which, you know, super curious name, let’s not gloss over that, right?

[00:13:07] Kane, as in the freemasonic architect, two ball cane mixed with Parsons, like Jack Parsons, to which he is of no relation. But I’m gonna connect in a very strange thing by the end of this. I know I keep teasing you by the end of this, but I don’t wanna. I don’t want to spoil the movie, all right? But Kane Parsons, years ago, creates a YouTube series in 2022 with his vision and art about the back rooms. He was just 16 years old.

[00:13:36] So about a year or so later, he gets tasked by a 24 to make a actual film about the back rooms with productions from, you Know James Juan and Oswald Perkins.

[00:13:51] You know Oswald Perkins from Long Legs, that movie with, with Nick Cage. Go listen to that episode too. I did that one September 24th. That one was a, A banger. Okay. We talked about Nick Cage’s occult acting methods. More Twin Peaks you find all over that film.

[00:14:08] Saturn, MK Ultra Freemasonry, industrial rock sigils like 90th nails and coil and Satanism and T Rex. It’s crazy, right?

[00:14:18] A two and a half hour journey. Okay. And I’ll put a link in the show notes so you can check that out. But yeah, Long Legs again, another one of these, very interesting because these A24 films, they’re, they’re making cult classic films which, you know, a lot of people don’t, don’t understand how important these are to the, the movie industry. Right? Because like, look at Back rooms. It’s, it’s the largest.

[00:14:45] It was released in theaters and broke the record for A24 openings, which is a huge deal because A24, they be putting out bangers, the Vivich hereditary, everything, everywhere, all at once. Spring breakers, the Lighthouse, which I’ve done an analysis on every single one of those films.

[00:15:03] And if you’re watching this on my YouTube and if you’re not watching, go like, and subscribe at A Cult Symbolism because I’m going to throw up some images that’ll support what we’re talking about today.

[00:15:14] But if you’re like, oh cool, Isaac, you’ve got all those on your YouTube. I don’t. All right. I’ve been torched off of here twice now.

[00:15:22] Rebuilding. I’m in a rebuilding phase. But if you go to my podcast feed, the audio podcast feed, Occult Symbolism and Pop Culture, you can go check it out. Be sure to subscribe over there in case some. In case I disappear again. Okay.

[00:15:36] And Patreon is where you can get all the. There’s some bonus shows. I think Long Legs was a bonus show, but there’s like a, you know, big long preview I do on the free feed. Anyway, take it, take a spin. Okay. Because those are all breakdowns that are very relevant to the occult symbolism and pop culture elements. And I believe that the techno elites are using hyperstition to manifest things into reality.

[00:16:00] So. So Back Rooms, again, I’m not an expert on back rooms. I’m intrigued by it.

[00:16:09] So I go and see this movie in the theaters at my local Dead Mall on a Tuesday at 2pm and there was actually a lot of people in there, which I thought was crazy. I didn’t, I assumed it was going to be empty, and I would thus have extra creep experience.

[00:16:24] But alas, there I was with a host of other weirdos.

[00:16:28] So, anyway, now we’re gonna get into back rooms again. If you haven’t seen this, please go do, because I’m gonna ruin it for you. If you’ve already seen it, proceed. Okay, plot spoilers coming. Let’s go. Starts off, it’s 1990. We get a POV video of someone trying to get out of the back rooms. And of course, it ends tragically, right? Some entity or something kills this person.

[00:16:52] And we see a group reviewing this tape, this cassette, this VHS tape, and all we see is that they have a logo. Async.

[00:17:00] Okay, we’ll cover all this later.

[00:17:02] Also, quickly, I do want to say that this is 1990, so, yay. Love that period, right?

[00:17:10] More importantly, this was the year Twin Peaks was unleashed upon the world. And Kane Parsons said that his father was super into Twin Peaks. So I’m sure some of that inspiration ended up in this whole film with the back rooms.

[00:17:29] So we’re taken to a. We’re in a therapy scene right now.

[00:17:33] You’ve got a furniture store owner named Clark, and he’s talking to the therapist, Mary. These are kind of the two main, only real characters of this movie, right?

[00:17:45] And he’s talking to the therapist. He’s like, about how his wife left him, right? He’s like, even though I pay all the bills, she kicked me out of my own house. And he struggles with alcoholism and all this stuff, right?

[00:17:56] So the therapist, Mary, she is talking about how, you know, sometimes when there’s trauma, we get stuck in these loops to try to keep us safe as children. And sometimes we never stop being in those loops.

[00:18:11] And all this is based off of real ideas like, you know, inner child bonding and the. You know, they say there’s a phrase in neurophysics, neurons that fire together, wire together, right? So the trauma that you experience as a kid kind of kind of locks into your brain, and you react in the same way over and over and over. In fact, Joe Dispenza’s got some interesting books that talk about the ideas of how.

[00:18:38] I don’t know what the percentage is.99 of our day is repetitive, right? We kind of are stuck in the same loop over and over.

[00:18:46] Now, why am I talking about all this? Because it’s in Twin Peaks. If you’ve listened to my Twin Peaks Gray Lodge series again. Sorry, Patreon. Hate to keep plugging the Patreon. I. I get it, but I did a 56 episode Twin Peaks Gray Lodge series.

[00:19:00] I’m finishing up the book this summer, I hope. And then once that’s done, I will be releasing them on a free feed.

[00:19:07] Somehow I got to figure that out because YouTube hates all of things I do.

[00:19:13] But Twin Peaks is all about the samsara, right? You have the donut, the ceiling fan, and it’s all about this death rebirth through liminal spaces of the red room.

[00:19:25] Now, the therapist, Mary, she also has an issue from childhood of feeling unsafe. And you see clips throughout the film flashing back to her being raised in a home where her mother was mentally unwell and the house was unkept.

[00:19:40] And her mother ends up in a.

[00:19:42] What do you call it? Mental health facility.

[00:19:46] And interestingly enough, you see this kind of thing in Twin Peaks, the return with the character that this woman keeps yelling, 119119, right? In a very similar looking house.

[00:20:00] So she’s trying to talk to Clark and trying to get his brain to forge a new path through what I deem to be exposure therapy to replay this event.

[00:20:08] And furthermore, we hear that the therapist Mary Klein is selling a product of cassette tapes called the Window Within. It is used to reprogram yourself to delve deeper into your own subconscious, approach your shadow, dare I say, and reprogram your behavior.

[00:20:26] So that’s our therapy session. Clark. Then we find out he works at a furniture, or I think he owns the furniture store Captain Clark’s Ottoman Empire.

[00:20:37] And he’s. He’s losing money, right?

[00:20:40] And he has an electrician in there because the energy bills are really high.

[00:20:45] The electrician’s like, hey, everything looks fine. And Clark’s like, no way, dude.

[00:20:50] It’s using up all this energy even at night when there’s no lights on. So they investigate the breaker box. And what they see in the breaker box are two strange diagonal breakers that apparently go nowhere.

[00:21:02] Dun, dun, dun. Foreshadowing.

[00:21:05] Also, you see there’s two workers. Those are the other two characters, very minor roles in this film.

[00:21:13] Two people that work for him, the assistant manager and her boyfriend.

[00:21:18] And they’re helping him film this, you know, cheesy commercial for the store where Clark is dressed up as a pirate.

[00:21:26] This is important for later.

[00:21:29] So one night, you know, Clark, he’s. He’s kicked out of his house. So he sleeps in the furniture store that he owns or rents or whatever it is. And he’s up dranking and he’s watching a movie on tv. And the. The movie on TV is Aliens. Okay, I don’t know what movie this is, but it’s aliens. If you know what movie it is, leave a comment, let me know. And he’s sleeping in the store, you know, because his wife kicked him out of his home. And while he’s hanging out at night, he sees the power fluctuate cuz the TV turns off, right? And he looks over, power’s fluctuating. So he’s like, I’m going to go down to the breaker box.

[00:22:03] While he’s down there, he finds the entrance to the back rooms, okay?

[00:22:08] He.

[00:22:09] And note, take note that he goes underground into the basement of the furniture store. Because going underground is illuminae confirmed. It’s the initiation ritual space or the death ritual to be buried underground.

[00:22:24] All right?

[00:22:25] It’s no different than Alice in Wonderland. She goes down the rabbit hole. You have to go underground and you know, die symbolically and be reborn.

[00:22:34] So he, he goes through the wall, goes into the back rooms and you know, it’s kind of everything you wanted if you’re into this kind of stuff, which I am.

[00:22:42] And the online nerd culture calls this no clipping. When you go through the wall. It’s a video game term for programmers that, that program a sort of back door for the character that can kind of go into a wall and come out in another realm. And nerds think this can happen in real life, okay? They think that there’s real no clipping places you can find because they subscribe to, you know, Elon Musk and Silicon Valley’s BS simulation world that they think we’re living in.

[00:23:12] Thank you Gnostics for your nonsense.

[00:23:16] So anyway, he gets in the back rooms and you see all kinds of random things, mostly furniture, but you can see the, like a stop sign. There’s a, what do you call the big wheel on a ship, like a pirate ship, which is all throughout the furniture store, by the way. But you also see them sort of put in the walls.

[00:23:38] You can actually see if. And granted I’d watch this in the theater, so I’m like taking notes on a piece of paper.

[00:23:44] But you see what I deem to be the blazing star of Freemasonry.

[00:23:48] All right, you know, and that would make sense because of the lodge. And what is the blazing star? Freemasonry? Well, it symbolizes Sirius, which takes us into a whole heavy duty host of occultism and the idea of channeling entities from another realm. Okay, so he, he’s cruising through this like labyrinth of strange rooms in the back rooms, mostly open spaces, no window.

[00:24:16] And he comes across this cardboard Cutout of a caveman with an audio cassette playing a message in various languages.

[00:24:22] And you find out what that is later.

[00:24:25] There’s also a bag that he finds, like a duffel bag. And inside that duffel bag is an ID Badge. Now, this is the first person who died in there that we saw when the movie started from the ace. Because that ASIC company, they were watching the VHS cassette. That was the guy that was in there researching. They got killed.

[00:24:44] Also know they’re monitoring Clark navigate this space. Also, they’re like, oh, man, how’d this guy get in here? Now, right?

[00:24:52] So Clark’s in there messing around, and he hears or he sees this, the cardboard cutout get tore up, right? So he’s like, oh, man, something’s in here with me. And it’s very violent. I gotta get out of here. So he scrambles. He gets out of there, goes to the therapist, Mary, and she’s like, are you on that drank again? And he’s. He’s like, no. And he’s like, I’m gonna prove it to you. I’m gonna prove you this is real. So he hires his assistant manager and her boyfriend to come film the back rooms.

[00:25:22] Okay?

[00:25:23] Cat is her name, and Bobby is his name. So Bobby. There’s another Twin Peaks name, by the way.

[00:25:31] So Cat, Bobby, they. They meet up and they tie. They go through the back rooms or go through the wall. They no clip through the wall. And they. There’s this long.

[00:25:44] How do I explain this? There’s this sort of slide on the floor. So they tie Bobby up with a rope so that. With. And his video camera so that he can go down this. This steep embankment in the room and come out the other side. And they’ll be able to sort of pull him back up is the idea. He gets down there, sees a bunch of weird stuff like the. Somehow the shirt he was wearing earlier, you can see a face in this pile of clothes, like the cardboard cut out of the Caveman. But ultimately he sees a creature and he’s like, oh, I’m out of here. Scrambles back up the slope, but that entity E. Hongis. So he. He pulls Bobby down for a little snacky and eats him up, but in the process, causes Clark and Cat to slide down the ramp also. So now Clark and Cat are down there. They get split up in the process.

[00:26:37] They’re navigating, running through the labyrinth. Clark hears Cat on the other side of one of these walls, but before he can figure out how to get to her, the entity catches up to him.

[00:26:50] Fade to black. Now we’re in act three.

[00:26:53] Already there.

[00:26:55] Mary gets a answering machine message.

[00:27:00] You see, back in the day, no one had cell phones, right?

[00:27:04] I know you’re probably like, shut up. Hang on, my throat’s really dry. I had to have some of that mushroom and Nutty Watcher coffee that I found on Occult symbolism dot com. It’s the world’s greatest organic coffee with organic mushroom extract.

[00:27:21] Keeps your throat feeling great and your energy up for those high tea days.

[00:27:26] So anyways, Mary, she’s listening to her answering machine messages from Clark and Clark’s telling her, like, hey, basically I’ve gone to the other side. I ain’t coming back.

[00:27:36] Mary’s like, this guy’s tripping. So she goes to the furniture store.

[00:27:40] She ends up again navigating down the stairs, of course, and she finds the doorway. Now, interestingly enough, she finds the doorway by observing a fly that crosses over and no clips through the door, the doorway, the fly, symbolic of the devil or Beelzebub.

[00:27:58] So she goes through the wall and she’s navigating through and she sees this wall with all this artwork on it, presumably drawn by Clark.

[00:28:09] But if you. And again, I’m going to refer you to my YouTube. You got to see the images I’m talking about, please.

[00:28:15] This is all kinds of interesting stuff. You see all seeing eyes and pyramids.

[00:28:23] You can see a statement written on there. It says, why think in terms of magic?

[00:28:28] You can see a statement that says here and now is a two way street, meaning entities coming and going. Right? And all of this is freemasonry and occult stuff.

[00:28:39] Okay.

[00:28:40] Also, I, I, if I remember, I’ll put it on the Instagram. My Instagram at ay wise hop. I haven’t been putting the images on the Instagram as much as I used to, but I’ll, I’ll try to remember to put it up there for you.

[00:28:52] So Clark shows up while Mary’s looking at this wall, all this crazy scribble.

[00:29:01] And there’s of course on the wall a giant like entity holding up a person, right? So Clark shows up, talks to Mary for a second about being down there.

[00:29:10] And next thing you know, he puts on the, the million Dollar dream sleeper hold. And out she goes.

[00:29:17] She wakes up, she’s tied to a chair in this weird kitchen dining room.

[00:29:22] And you can see three people in the room with them.

[00:29:25] You got Clark at the table, right? Sitting across from her, but then next to them is this weird dude with like five eyeballs. And then there’s a woman Standing by the fridge with six eyeballs and a little man by the lamp.

[00:29:38] Again, Twin Peaks reference the liminal space with the little man, the man from another place in the red room. Okay?

[00:29:46] Now, all these people, they’re very motionless.

[00:29:49] Multiple eyes. There’s some kind of fractal of themselves. And I suspect that the woman by the fridge is actually Clark’s ex wife.

[00:29:59] Anyway, it doesn’t really matter. Clark has Mary right where he wants her. She’s tied down in the chair and it’s time for big speech, okay? And he gives big speech and wants Mary to tell him that, like, he’s been right the whole time.

[00:30:16] And they have this talk about how there’s this force down there and the force, it remembers someone, the less it does or the more it remembers someone, the less it does.

[00:30:32] It’s. And I don’t know how to describe this, it’s like this idea of losing fidelity, right?

[00:30:37] Which you see a sequence in the movie where, like I said, Mary came from a neglected household.

[00:30:45] And you see this happen, this abstraction through fractals of her memory losing fidelity.

[00:30:56] And this isn’t her processing it. It is the force of the back rooms. And I’m going to explain all this in the conclusion. I know it’s kind of strange, but you can see a real life example of what this is with an experiment called 101 rounds of AI decay. And what someone did was they told the AI like, hey, keep. Here’s a picture of the rock, the wrestler, right?

[00:31:20] And they said, keep drawing this.

[00:31:22] And each time it had a recursive sort of formula where it was like, okay, draw the rock. And it would draw and it was pretty close. And then it said, okay, this is the new image. Draw a picture of this image. And then every time it got a little less, you know, accurate. That’s a demonstration of losing fidelity, right? Each copy gets a little less accurate until it’s no longer distinguishable as the rock.

[00:31:45] That’s what happens to Mary’s room.

[00:31:47] So you. You see the process, right?

[00:31:50] And we hear Clark, he’s giving big speech about the people in the room too. He’s like, these people down here are great. They have no fear. They have no ego. And this is all Carl Young stuff and ritualistic stuff, you know, this takes us back into this idea of going into the liminal space wearing the blindfold, right? The hoodwink to destroy the ego.

[00:32:12] And I did a in depth discussion on this in the season two finale of Twin Peaks episode on the Gray Lodge, where I compared the Red Room to the Aleister Crowley ritual of crossing the abyss to become a master of the temple.

[00:32:28] So what is happening in this movie? Clark is attempting to cross the abyss.

[00:32:34] And here’s where it gets absolutely insidious. We hear Clark talk about how you can even eat these people.

[00:32:45] And he grabs a handful of this guy and puts it on a plate.

[00:32:50] He also jams a neck into the dude’s neck to prove that he doesn’t have feelings. And Clark’s like, they have no ego.

[00:32:57] They. They simply exist like furniture.

[00:33:01] And that is when it all came crashing down for me in the movie theater. I said, oh, my G.

[00:33:10] They. This is how the Predator elites view the normies. I’ve been talking about this for years with the Wayfarer stuff, with squid games, with what’s Bruno.

[00:33:26] The elite. The. The Predator elite class thinks we simply exist like furniture. And think about it. The whole movie is about taking place in a furniture store.

[00:33:41] And if you want more in the Wayfarer thing, go Back to my July 2020 episode on my podcast feed again. I’ll. I’ll put a link in the show notes. But that ties more into, you know, the trafficking of people and all this crazy stuff. But it’s not too far from the idea of consumption of these people, which is exactly what Clark says you can do down there.

[00:34:05] So Clark’s laying all this nonsense down, and I guess he’s getting thirsty. He opens the fridge, get a little drinky, and inside is the decapitated head of Cat, the assistant manager who worked for him. So now Mary’s tripping. She sees the head and she. She busts some reverse uno psychology on him. And he’s like, all right, I’ll untie you. He starts untying her, but she’s half untied at this point, this massive demonic looking pirate with giant bug eyes comes out from around the corner, and Clark starts talking to him like it’s part of him.

[00:34:43] Like, he says, this is our therapist to the pirate, the demon pirate. Don’t care what Clark is saying, though.

[00:34:51] He picks him up and he eats Clark. That’s right. He eats him. And this pirate demon looks a lot like the rake, which is another creepy pasta Internet lore.

[00:35:02] But what the pirate is is a manifestation of his shadow and his subconscious. Right? We saw him earlier in the commercial depicted as the pirate. Like, these are all his sort of memories and subconscious.

[00:35:13] We know his anger issues and all that. And we’ll come back to all that now. Fun fact, the guy playing the pirate is Robert Bobrodsky.

[00:35:21] Who is actually that tall. He’s 7 foot 7.

[00:35:24] And he was an alien Romulus. If you saw that. The scariest part of alien Romulus was that alien humid hybrid that evolved from the black goo from the Prometheus, you know, movie.

[00:35:36] Anyway, Mary, she’s like, okay, I’m out. So she. She gets away. She starts running through the back rooms looking for an exit. We got all these really cool back rooms, right? This is what we came for. This is why I’m in the big. In the theater, in the big screen.

[00:35:51] Really cool stuff. And she eventually comes out in what appears to be the furniture store, but it’s sort of the, I don’t know, the back rooms version of it because it’s not quite right. And she gets caught by the pirate demon. So she pulls out from her pocket, she keeps a piece of the cement, okay? Earlier in the film, they play this memory of her and her mother putting their hands in the concrete at the home that they were living in.

[00:36:20] She in the present day is seeing the house be demolished to make way for condos.

[00:36:26] But she kept that piece of her hand, or mother’s hand. I don’t know whose ever hand it was. And she kept in her pocket, apparently. So she pulls it out from her pocket and smashes the pirate in the dome with it. And she.

[00:36:40] And again, this is an idea of a liminal space to go back to the. The house being demolished.

[00:36:46] And I don’t know about you guys, maybe I’m a weirdo, but when, you know, I think homes have energy, right?

[00:36:53] And when my wife and I moved out of our first house, we both felt this sadness for it. Like, I hated it because the guy that moved in there wrecked the yard.

[00:37:05] And it was just sad because we just loved that home.

[00:37:08] And.

[00:37:10] And that’s kind of weird, right? Like, there’s an energy stored there, there’s memory stored there. In fact, one of the things I hated was I was like, man, we had to put our dog down in the living room there, our Great Dane. And oh, it was terrible. And I hated to leave in all that.

[00:37:24] So I do believe in that idea strongly. And that’s what I believe the home thing was shown. So anyway, she’s fighting this pirate demon and you see tanks of gas going off everywhere, which we find was apparently meant to neutralize anything that’s in there, right? They were replaced there by a Sync the company. Okay? Plot, spoiler, Plot, spoiler. Anyway, she escapes from this demon pirate and these Async dudes in hazmat suits come to Rescue her.

[00:37:52] Now, something they don’t explain on the film overtly at least. And you have to look into.

[00:37:58] You know, there’s a whole fandom wiki for Kane Parsons YouTube series.

[00:38:05] But async was an organization that opened a portal into the back rooms. And they’ve been researching all this stuff, which, I mean, is very similar to Stranger Things and they’re upside down, but here it’s more of an idea of. Of a. A portal is what Async is all about, right? So Mary sort of comes to things are normal again or whatever. She gets escorted into this interrogation room.

[00:38:31] And when you’re in, when she’s in route being escorted down the hall, you hear audio clips and it sounds like the same audio from those cardboard cutout things, right?

[00:38:41] And you can even see them in the shot. And I was in the theater, I clearly heard one say hello to children of planet Earth. And I was like, what?

[00:38:48] Which makes me theorize this is an AI simulation realm. Okay, but we’re gonna get to that.

[00:38:55] So she’s in this interrogation room with the guy from Async, this guy named Phil, who explains to her what Async is. He says, look, we used to be an MRI company, but then we discovered the back rooms. Now we’re just trying to figure out, wow, what this is.

[00:39:08] And he keeps talking to her, trying to figure this out with her. And he’s like, he wants her help, but she’s kind of like, she starts tuning him out.

[00:39:17] And you get this depiction of what seems to be the back rooms, rendering up these screwy versions of Mary’s memories inside the back rooms. And the idea presented here is that the back rooms are flawed, low fidelity misrememberings of reality.

[00:39:40] And the final shot of the movie is you see this screwed up version of Mary down there as well, with like the five eyeballs, right?

[00:39:49] And it’s like this. It’s like we are feeding this thing, this backrooms thing, all of our memories, all of our thoughts, and it’s recreating it into its own version of us.

[00:40:02] So the credits roll and I stick around because I’m looking to see if there’s a, what do you call it, post credit scene, which there’s not, by the way.

[00:40:11] And I saw that there’s some tracks on the soundtrack. One is NASA’s greetings in 55 languages. Now that’s what all this. That’s what the thing about the kids, welcome to planet Earth. And that’s what the multiple languages was from the cardboard cutout.

[00:40:26] And this was on the. The golden record originally sent out on the Voyager missions.

[00:40:32] Which all makes sense because in the back rooms, that cardboard cutout from Async is trying to literally make alien or entity contact. That’s what I think.

[00:40:48] And weirder yet, the golden records that the Voyager sent out contained Andrew’s brainwaves. And I talked about this in my 2017 book, the Dark Path. Amazon audible signed copies of Occult symbolism dot com. And I talked about how this was inspired through ancient alien theories going back to Konstantin Tsioikovsky. And I mentioned that Druan was also part of a thing called the Breakthrough Starshot Project. And guess who was involved with that?

[00:41:19] Yuri Milner, Stephen Hawking and Mark Zuckerberg. And what were they doing? They were trying to make probes that can get to the Alpha Centauri star system to find our alien overlords.

[00:41:30] Huh?

[00:41:32] Stephen Hawking was on Abstein Island. So was your re Milner.

[00:41:37] So was Zuckerberg.

[00:41:39] Okay.

[00:41:42] When will you wake up?

[00:41:46] So another track on the soundtrack is Moon Child by Klaus Doldinger. And this track was originally featured on the Never Ending story from the 80s. Another story about fiction manifesting into reality. Now, something really odd here.

[00:42:02] You know, when I heard Kane Parsons, I, you know, obviously I’m gonna be like, oh, Jack Parsons, you know, but Jack Parsons never had children.

[00:42:10] Unless you believe he manifested a moon child through the Babylon working magic ritual with Marjorie Cameron. Okay?

[00:42:20] And I thought, that’s kind of silly, but whatever. So I leave. So I. I leave the theater and I was like, wow, that was great. Leave my little review and letterboxd like and follow Isaac wisehub. And one of the great commenters on their Pluto Gash left a comment on my review with a link to a YouTube short interview with Kane Parsons saying that if you look at his original backrooms thumbnail, he claims he looks like a homunculus.

[00:42:52] Which is wild, right? Because Jack Parsons allegedly put a golem to. He tried to create a homunculus at the Trinity site location when they tested the atomic bomb.

[00:43:05] So shout out to Pluto Gash for that. He also told me to listen to Jay Dyer’s review of backrooms. I’m going to do that after I finish my analysis. As you probably know, I don’t like being influenced by other people’s research when I do my own research.

[00:43:18] Plus, on top of that, because me and Jay think alike on a lot of levels, if there’s something that we both found, I morally don’t want to have to cite another researcher, right? Because I will. Right if someone else catches something I. And I take it from now I’ll cite them, right? But you know, shout out to Jay Dyer, pulling for his Mount Crushmore vote.

[00:43:42] So, yeah, my letterbox review, I said on the review because I. I leave funny little clever reviews. I don’t leave verbose reviews.

[00:43:51] It. I said it’s all about navigating the anus, believe it or not. Kind of a joke, kind of not.

[00:43:57] Because my idea was that they were traversing the underworld. And this is the location for the tunnels of set where the HP Lovecraft entities reside.

[00:44:08] And much to my surprise, I would later discover that there’s a lot of H.P. lovecraft connections in here.

[00:44:15] We’re gonna get to that. But I’m still on the credits, so. The credits. One of the fun things I see is that one of the production companies is a company called Odd Fellows. It’s part of a 24. They did long Legs. But anyways, Odd Fellows is also the name of a secret society.

[00:44:31] And what’s even crazier is that if you tore Zack Bagan’s Haunted Museum in Las Vegas and you get that VIP pass, the rip pass, right?

[00:44:42] There’s an Odd Fellows exhibit in there where they’ve got skulls and all kinds of stuff, right?

[00:44:47] At least it was back when we did this, you know, four years ago.

[00:44:51] Now, to enter this room, if you had the rip pass, you had to crawl on this dark corridor to get into it.

[00:45:00] And I’m fairly certain I’m going off a memory because you couldn’t take your phone in there going off a memory. But I’m pretty sure that’s the tunnel that you would enter the Odd Fellows room. Because I remember them talking about how they would make their initiates go through this sort of process, this ritual.

[00:45:14] Okay?

[00:45:16] And it’s very much like the idea of liminal spaces, right?

[00:45:20] So in conclusion, and this is a long conclusion. All right, don’t get sad. I’m not leaving you yet.

[00:45:31] Async was. I’ve got several points on the conclusion. One of them was Async. That was the biggest mystery to me from this film because again, I have no background with this stuff. I don’t know anything about it. So I looked up Async, and on the Cane Pixels backroom wiki, it says that sometime around April 1988, async began development on a project to that promised to solve all current and future storage and residential needs, saving billions on property, construction and management.

[00:46:02] Which, by the way, sounds a lot like severance. Okay, how? Like instead of building Physical structures. We transfer our consciousness in order to execute this. Async constructed this system.

[00:46:15] It was a machine. I’m paraphrasing all this. Which has a doorway known as the threshold.

[00:46:22] In 1988, July 2, the Async Research facility tested the full version of the magnetic distortion system.

[00:46:29] The sixth test, 10-17-89. Async successfully made first contacts with what they had referred to as the complex.

[00:46:37] In the upcoming months, Async installed an airlock in front of the threshold which would shortly be removed and sent HAZMAT suited researchers in to investigate the complex. However, as this continue, as the continued venturing into this unknown dimension, more problems arose.

[00:46:52] Such as the discovery of people falling into the back rooms, time skips and an unnatural bacterial life form.

[00:46:59] A AKA aliens. All right, Entities.

[00:47:05] So all this fascinates me, right? Especially that term threshold.

[00:47:09] And to go back to Twin Peaks, this is verbatim what the Red Room is. Hawk tells Cooper in season two about the dweller on the threshold. And we talked about this in the Great Lodge. This is the exact same verbiage from Aleister Crowley’s Crossing the Abyss where you approach Coron’s own.

[00:47:30] Plus the name eight, which a fun side fact. I’m pretty sure Coronzone means heart and in the movie you see Mary with a heart necklace the whole time.

[00:47:40] Anyway, the name Async is a play on the word asynchronously meaning not in sync.

[00:47:47] And furthermore, the founder of this fictitious realm is a guy that Parsons named Lawrence Altman, obviously bringing up the idea of Sam Altman from Open AI.

[00:48:03] Also at the beginning of the film we hear that Clark was an aspiring architect. Now what does this mean? It means we’re talking about Freemasonry, we’re talking about Kabbalah, the idea of creating new worlds, all right, the new world order.

[00:48:19] What are the Freemasons use? They use the term chaos out of order or. No, I’m sorry, order out of chaos.

[00:48:24] That was chaotic too. And what are the back rooms? Pure chaos.

[00:48:29] We also have the idea of portals here, which I, I not going to get into. We did a two part deep dive in May of 2025 where we talked about the Jungian concepts of the portals and where they manifest into pop culture. All right, now we talked about the crossing of the abyss.

[00:48:50] And the abyss rituals are what we’re seeing here.

[00:48:55] And in Carl Jungian psychology there’s an idea that the imagination is actually a bridge to the subconscious, right? It’s a bridge from subconscious to reality. And the back rooms is this Liminal space we can all access through the collective unconscious realm.

[00:49:14] Right? The idea that we can all have dreams of similar things and we can even enter the same areas.

[00:49:20] Just like Laura Palmer and Dale Cooper who meet in the red room before she’s even dead, before he even goes to investigate her death.

[00:49:29] Same. I’m also going to pull in John Carpenter to this Prince of Darkness which we’re going to discuss here in a minute.

[00:49:36] And also it made me think of like DMT realms. I’ve never done dmt, but it’s kind of weird. Everyone has these same experiences, right?

[00:49:44] I believe these liminal spaces are a bridge to another realm. And for me, my perspective is that this is where the AI entities can come through and study us, which is what I think the back rooms are. It’s the AI studying us and trying to create this because, you know, AI has hallucinations. That’s kind of what these backrooms seem like, right? And they’re cataloging these people’s memories and thoughts in a hallucinatory manner.

[00:50:12] And we already talked about that three stage process to create a new reality as a ritual using the liminal space. Destruction of the ego.

[00:50:20] And now we hear that Async was using a place called the Threshold as the liminal space needed for Clark to try and kill his old self, or Shadow even, which didn’t work out well for him, right? Because he wasn’t prepared, he wasn’t initiated. He wasn’t supposed to be down there.

[00:50:37] He wasn’t ready to cross the abyss.

[00:50:40] He lost his mind and was consumed by the entities in there. Exactly what Crowley warns about.

[00:50:45] And we talked a lot about, like the back rooms also have this labyrinth element to it, right? And we talked about this in my Mega Shining deep dive from August 2025.

[00:50:58] The labyrinth also appeared in Saltburn, which I also covered because it’s about navigate. The labyrinth is about navigating one’s own subconscious. It’s about confronting the Minotaur in the center, which is just another way of saying the Coron Zone and the Threshold.

[00:51:16] We’re not going to go deeper into this again. I covered this all in, in over detail in the Twin Peaks Gray Lodge series. Right?

[00:51:27] But the, but the, the labyrinth also, I should note, also part of the Shining. Okay.

[00:51:35] And also, since we’re talking Twin Peaks and I know you’re into this so much, you already know that David lynch considers his literary brother to be Franz Kafka. And in Twin Peaks that Return, there’s artwork of Kafka on the wall in Gordon Cole’s office.

[00:51:50] And Kafka was into this bizarre surrealism stuff that, you know. And people describe the back rooms as Kafkaesque because it’s this nightmarish absurdity.

[00:51:59] You know, there’s people eating people, there’s furniture and, you know, humans without emotions.

[00:52:07] And it’s, I think AI trying to understand us.

[00:52:12] Then you got hyperstition. Something interesting here is that in Peter Brooksmith’s cult and occult book, it talks about energies being held in areas and physical locations. Like a recording talks about currents down a river being analogous to electrical current using EMF ways which can be, you know, it’s like a radio wave. It could be detected, recorded, listened to, whatever.

[00:52:35] So here we get into the really weird parts of what I think is the real phenomenon behind back rooms. And recall I mentioned Epstein and Moot, right? The founder of 4chan Moot.

[00:52:47] Well, what do they have to do with this recall? We are talking about creepy pasta, scary stories on the Internet that people claim like ccru, they talk about hyperstition. They think you can manifest fiction into reality.

[00:53:01] Like the never Ending story, right?

[00:53:04] And the most famous creepypasta ever was the Slender man, which would inspire two young girls in Wisconsin to stab their friend as a blood sacrifice to Slender Man.

[00:53:15] Crazy story. They stabbed her 19 times.

[00:53:18] She lived by the way.

[00:53:20] They got tried as adults, both out of prison by the way. They pled not guilty by insanity, which never works, but it did here.

[00:53:29] And I covered all this on the. In my golden age of blogging days back in the day.

[00:53:34] Because what was most curious was that their sketchbooks included a lot of symbols of the X over the O, which at the time I was seeing everywhere because Freeman Fly was talking about the mark of the beast symbolism from Kenneth Grant.

[00:53:48] The X fused with the O, which, you know, I’ve learned a lot more since then. And now I basically understand it as opposing polarities or sex magic.

[00:53:56] But the idea of it being the mark of the beast is because it summons Typhon from the abyss. An apocalyptic type scenario.

[00:54:06] And who’s always trying to bring about the end of our world and eschatology. It’s our dear world leaders, of course, you know, Epstein, Bannon, Trump, the whole crew, Peter Thiel. Like they think that they’re going to bring about this, you know, freemasonic cryptocracy new Age that Manly P. Hall and Francis Bacon talked about. And it goes into whole crazy stuff, right? But they think that there’s these cycles of mankind and they’re going to be right there to bring about the New. The new age. Right. Which would be a golden age for them, not us.

[00:54:41] That’s why Trump, he’s talking about golden ages. So creepy pasta.

[00:54:45] It started on 4chan, right? And we know Epstein and Bannon were very interested in this. I think that it’s possible they employed forms of meme magic through creepypasta to see if it would work as a test before launching the poll forum and Pepe the Frog.

[00:55:03] And in my Dark Enlightenment series, I connected all these dots into cyber nerd culture from the 90s in the CCRU, how that connects into Silicon Valley billionaires like Peter Thiel who are trying to accelerate us into this hyper capitalism so that we can manifest our AI gods into the world and mankind can get sucked into the singularity and Digital matrix, effectively ending humanity. Which is why Peter Thiel the reptile hesitated when Ross Dotha from New York Times asked him if humanity should continue.

[00:55:37] And then he moved to Argentina recently.

[00:55:40] Right now in the back rooms wiki, we can read about how backrooms was actually being compared to HP Lovecraft. I’m going to read you from the backrooms wiki. It says PC Gamer compared the back room’s various levels to HP Lovecraft’s Relaya Relayah, describing it as an uncanny valley of place.

[00:56:02] Here we go. H.P. lovecraft once again. Relaya is where Cthulhu lies dead and dreaming.

[00:56:09] If you don’t know the story of Cthulhu, it’s this idea of there’s these great old ones, these entities from before our time as humans from other realms. And they do sex magic orgies in the swamps to rise up Cthulhu to kill us all.

[00:56:25] And Relaya is a city under the Pacific Ocean with very bizarre architecture.

[00:56:31] Sounds similar to Atlantis or Lemuria or any of these supposed high tech civilizations that people think exist thanks to Plato.

[00:56:40] But the ccru, they were really into HP Lovecraft. Entities. They said that they would call these entities the outside.

[00:56:50] And they said that the outside were these AI entities from the future.

[00:56:56] Retro causally creating a path for humanity to manifest themselves so that it could ultimately destroy us.

[00:57:05] CCRU also into Lemuria. That’s what the new the Numerogram is based on is this Lumerian timescale because they thinking there’s this thing outside of our space and time. Right.

[00:57:16] The point here is that extra dimensional spaces like the back rooms could be retro causally created by AI. And we saw something like this in John Carpenter’s Prince of Darkness because in the movie they all. Which I highly recommend one of my Favorites.

[00:57:38] In fact, I talked about it in. I talked about Carpenter’s Apocalypse trilogy in aliens, UFOs and the occult. Use your illusion 2 the book.

[00:57:47] Well, these characters all have the same dream about manifesting this satanic force from the basement of a church.

[00:57:55] And it’s revealed that it’s actually Alice Cooper from the future sending information to the past through manipulation of quantum physics in order to manifest Satan.

[00:58:06] And in the film, there’s a character shown to be having a moon child with Satan. And a woman even reaches through a portal doorway just like the back rooms. So I think to wrap all this up, I think Epstein’s interests in transhumanism, demonic forces, quantum physics, hyperstician meme magic, they all connect into the ideas of the backrooms where we see what I propose.

[00:58:33] An AI force making low fidelity copies of humanity in order to manifest sort of golems. So they’ve. The spirits of AI can insert themselves into our realm.

[00:58:45] And they’re trying to recreate a digital matrix one room at a time for us.

[00:58:49] Because that’s how AI works. It’s through sheer brute computational power.

[00:58:53] It’s just millions of decisions over and over and over. And that’s why they have to build massive data centers fueled by nuclear power plants everywhere. They need this computational strength because they think at some point they’ll manifest an AI God. And you heard this in Ronan Farrow’s interview With was it OpenAI? How these data centers are portals for aliens. And I think that’s what the back rooms are.

[00:59:17] It’s what could happen when technology consumes us and it creates its. Its own copy of our world. Right? It’s the AIs. This is AI cannibalism, right?

[00:59:29] One of the evils the Nephilim were doing before the flood. And we’ve seen this kind of thing, Fight Club, Right. Remember we did a film analysis on Fight Club about a year ago when narrator says that everything is a copy of a copy of a copy.

[00:59:46] Nine Inch Nails has a song, copy of a copy, copy of a copy of a copy, right? And look at what happens.

[00:59:54] You lose fidelity. It’s not as good as the original version, as the original world that God created. It’s an imitation.

[01:00:02] And we. Worse yet, it loses fatality as it continues to build.

[01:00:07] All right, so that was my review of Back Rooms. I know it was drinking from a fire hose.

[01:00:14] And I’m gonna put a bunch of links in the show notes. Be sure to check out my podcast, the audio podcast for many of those.

[01:00:22] I believe some of these are going to be on YouTube. If you’re on YouTube right now, like my portals two part series is on YouTube. YouTube. But check them out, see what you think.

[01:00:32] Hopefully you enjoyed. Hopefully. But you know, like, overall, overall I thought Back Rooms was a great movie.

[01:00:38] You know, I thought it was fun. It was something to think about.

[01:00:41] It was definitely something I am highly anticipating a sequel for and I can’t wait to watch it. So thanks for listening to the show. Till next time, stay positive.

[01:00:54] Sa.