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Most of you that have listened to my interviews or podcasts know that I’ve been working on a Charles Manson & the Occult research project. I’ve started and stopped this thing several times, proving it to be my most difficult subject yet. More than once I’ve had disturbing nightmares where I’ve waken up and felt that my research has somehow got me too close with the same evil that possessed the Manson Family, which led me to back away from it (obviously that’s scary, right?!). I’ve got a couple more books to read about the subject and then I plan on dedicating some serious time to complete it (2017?…).
One of the many subjects that will be covered in this book includes the modern day influences of Manson’s predictions of a race war he termed HELTER SKELTER…
Check out the video!
What is HELTER SKELTER?
In the late 1960s when Charles Manson had the full attention of his Family (a group of hippy followers- some were “straight” kids that wanted to experience the movement while others were truly more “bohemian”), he would often talk about the visions and beliefs he had for an impending race war where black people would rise up and kill white people due to racial tensions.
At first Manson thought it was going to happen organically but then he believed his music would trigger the events needed to make HELTER SKELTER a reality.
Why would Manson want to trigger such an event?… It’s because he believed that he and his Family would come out of hiding during this apocalyptic battle and the black people would give the power to him.
Emerging from The Bottomless Pit
Drilling further into that madness– Manson would routinely search the deserts and mountains of Death Valley in order to locate this “bottomless pit” that would provide shelter and safety for the impending doom that was waiting for all other white people. He would send his Family out on “Hole Patrol” to find this location because they so desperately needed it for its fantastical myth of clean river water and even was even similar to the Hopi Indian legend of “Emergence from the Third World.”¹
His sources for these beliefs included the Bible and the Beatles White Album with references to the Book of Revelations pointing to The Bottomless Pit and its usage of “veiled language” that referred to The Beatles (the “locusts”).
What’s curious here is that Hitler and his occult Nazi party also subscribed to a similar idea of the hollow Earth. Some claim that several Nazi members fled to Antarctica where they were able to hide out inside of the entrance to the hollow Earth. Hitler and others believed that they were the ones that were destined to rule the world (similar to Manson and his Family).
A 2009 analysis of Hitler’s skull with the bullet hole in it confirmed that it was a woman’s skull; obviously not Hitler’s, giving further credence to the theory they fled to the hollow Earth.
Manson’s Black Lives Matter Prophecies
What is more disturbing beyond this idea of a race war is the fact that Manson thought black people would utilize black Muslims as the key perpetrators of violence to destroy the remaining white people who were to be conflicted over the entire racial issue.
Adam Gorightly’s book The Shadow Over Santa Susana: Black Magic, Mind Control And The Manson Family Mythos (*one of the best resources for the Manson conspiracy and its occult ties) details several oddities surrounding Manson’s beliefs, including Family member Paul Watkins’ testimony about these hectic times:
Our music was going to lure Whitey’s daughters to the desert, away from Haight Ashbury. Blackie would have no other means of releasing his tensions, so would turn to the white establishment. The murders were going to start in rich places like Bel Air and Beverly Hills in the summer of 1969. The super-atrocious crimes would disturb the rich piggies; the spades would scare Whitey. They’d go to the ghetto and shoot the garbage man and the Uncle Toms. The Black Muslims would be in hiding. The whites would split up the middle, some saying, ‘Look at the things you are doing to the blacks!’ The whites would kill each other off. Then the Black Muslims would come in and kill the rest of them. Helter Skelter is the end of the cycle. What was on top had to go on the bottom. The karma of the whites is over and the black’s karma begins. But then Revolution 9 takes over.
This is described in Revelation 9. The black man would have to clean up the mess the white had made of the world, rebuild the cities and all that. But Blackie can’t do it all alone. He will have completed his karma, and he’ll have to come to the ‘Family.’ Charlie will pat his fuzzy head and kick him. Charlie will have to show him how. Meanwhile, the ‘Family’ will have grown to 144,000 like the twelve tribes of Israel in Revelation. Charlie encourages the girls to get pregnant. And we’ll have buses to collect all the children when Helter Skelter comes down, so we can save them and raise them in our hole in the desert. The Bottomless Pit.
That’s in Revelation 9, too…Charlie’s mission is to complete the karma of the world.
Taking a look at the Black Lives Matter movement; notice how Paul says “The whites would split up the middle, some saying, ‘Look at the things you are doing to the blacks!’” Could this be analogous to the Black Lives Matter movement of today where we see such a contentious split on the white opinion of the matter?…
Driving the Wedge: Symbolism from Entertainment
Taking a stroll through Facebook feeds and op-eds proves that there are some that believe police are “evil” while others think black people are over-reacting. Many conspiracy theorists believe that the fire is being stoked by the Illuminati; who control media and the entertainment industry.
The truth remains blurred between the two mindsets but Manson seems to think HELTER SKELTER will drive a violent wedge between the two sides and perhaps that is what is happening with the many riots and rallies we see today surrounding this topic.
Manson used the term “RISE” to trigger the HELTER SKELTER race war when he had his Family write it in blood on the walls of the LaBiancas at their home after they were viciously murdered.
Manson attributes the word “RISE” to The Beatles’ White Album which was a channeling of energy between Manson and the group. What I find interesting about Manson is that he was able to see clearly the power of music and its influence. He knew that it spoke to our subconscious which is something you won’t hear anyone besides conspiracy theorists talk about.
First, he references The Beatles’ song Blackbird (*which is interesting since it could also be referencing Aleister Crow-Ley; the occult blackbird we see references to in HBO’s True Detective):
Blackbird singing in the dead of night
Take these broken wings and learn to fly
All your life
You were only waiting for this moment to arise
He also believed Revolution 9 was directing him to conduct this race war when he heard the words “RISE, RISE, RISE” in the song; which he believed linked right into the Bible’s Book of Revelations Chapter 9. The chapter references The Beatles as the locusts who were men that looked like women and Charlie as the scorpion (he is a Scorpio):
The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth. The star was given the key to the shaft of the Abyss. 2 When he opened the Abyss, smoke rose from it like the smoke from a gigantic furnace. The sun and sky were darkened by the smoke from the Abyss. 3 And out of the smoke locusts came down on the earth and were given power like that of scorpions of the earth. 4 They were told not to harm the grass of the earth or any plant or tree, but only those people who did not have the seal of God on their foreheads. 5 They were not allowed to kill them but only to torture them for five months. And the agony they suffered was like that of the sting of a scorpion when it strikes. 6 During those days people will seek death but will not find it; they will long to die, but death will elude them.
7 The locusts looked like horses prepared for battle. On their heads they wore something like crowns of gold, and their faces resembled human faces. 8 Their hair was like women’s hair, and their teeth were like lions’ teeth. 9 They had breastplates like breastplates of iron, and the sound of their wings was like the thundering of many horses and chariots rushing into battle. 10 They had tails with stingers, like scorpions, and in their tails they had power to torment people for five months. 11 They had as king over them the angel of the Abyss, whose name in Hebrew is Abaddon and in Greek is Apollyon (that is, Destroyer).
How curious is it that we see talk about people wanting to die but not being able to:
During those days people will seek death but will not find it; they will long to die, but death will elude them.
I believe this is a reference to the transhumanism push and the desire to corral us into the digital matrix the Illuminati are preparing us for; a subject I go into further detail in Alice in Rocky Horrorland: Entertainment’s Pursuit of the Transhuman Desert Apocalypse:
It seems that the 2000s is a time frame in which many of Manson’s ideas still have the potential for being out there in the ether sphere of our subconscious. Many examples exist of Manson’s call for black people to “RISE” if you consider the entertainment industry’s strange fascination with the term. Note that these symbols are being used simultaneously at a time from which we see the Black Lives Matter movement taking place.
In 2008 the band named Flobots released a song called RISE with lyrics that speak of revolution while also making a subtle reference to the extraterrestrial channeling from another dimension:
React automatic and we burst when squeezed
And make 9-11 each emergency
Urgency amber to red like the turning leaves
Oh please let the hurting cease
Don’t let apathy police the populace
We will march across
Those stereotypes that were marked for us
The answers obvious
We switch the consonants
Change the sword to words and lift continents
If you believe in redemption
I’m calling to you from another dimension
In 2012 Hans Zimmer composed a song called RISE on The Dark Knight Rises soundtrack which plays in the final scene of the film. Of course; many theorists already know that this film was notorious for its role in the predictive programming sequence and MKULTRA theories surrounding mass shooters. The links are all referenced in my analysis called Colorado’s Batman Shooter, Hunger Games, Lil Wayne and MKULTRA Brainwashing.
Beyonce had a song called RISE UP that was part of the soundtrack to Epic in 2013 which references more revolutionary talk (more to come on Beyonce in a bit…):
Know that life holds more than what you see
Rise up little man, rise up little man
We will stand, we will fight, we will fight
We will stand and together we will rise
Skillet had a song (and album) called RISE in 2013 which not only talks about rising up but references what I believe to be Manson’s Beatles’ “Revolution 9” near the end:
Everyday you need a bulletproof vest
To save yourself from what you could never guess!
Am I safe today?
When I step outside in the wars we wage!
Our future’s here and now,
Here comes the countdown!
Sound it off, this is the call!
Rise in revolution!
It’s our time to change it all,
Rise in revolution!
Unite and fight, to make a better life!
Everybody one for all,
Sound off, this is the call, tonight we rise!
Tonight we rise
Tonight we rise!
Like we’re alive
Tonight we rise
Make a better life
Tonight we rise!
Rise, rise, rise in revolution
Rise, rise, rise in revolution
In 2014 David Guetta and Skylar Grey released a song called RISE that used alchemical language of rising as the phoenix (one of the birds of transmutation in alchemy):
There’ll be no need for crying
if darkness fills the skies.
We’ll go on forever like the phoenix
we will rise up from the ashes.
This world is ours tonight
We’ll go on forever like the phoenix
We will rise. We will rise.
In 2015 Glee had a song called RISE which talks about the phoenix “rising above the ashes” as well:
We are young we are the dreamers we will fly
When the world will not believe us,
We will rise above the ashes
Before this whole life passes us by
You and I, we will rise
In 2015 Selena Gomez released a song called RISE that possibly talked about the power of one’s mind and making the higher powers proud (*possibly one’s Holy Guardian Angel- similar to Crowley’s HGA that channeled the Book of the Law to him):
Yes I know there are those who will wanna bring you down
But you can rise with your mind and make your higher power proud
You can rise
Like the air
You can rise
In 2015 there was a trailer for Straight Outta Compton from which we see the word “RISE” flash in the background (**I attempted to locate this trailer which I recall seeing in a movie theater but as of this writing I have not found it online. I’ll track it down and post the image when I find it).
I said I’d talk about Beyonce once again and here it is; in the 2016 Super Bowl Halftime Show she established the imagery and programming of the masses by coming out with dancers dressed as Black Panthers and the Internet collectively lost its mind.
Of course; we can all see through this and know its part of Manson’s HELTER SKELTER plans since he specifically wanted the Black Panthers to RISE when he tried to paint a bloody paw print at the murder scenes so police would think they conducted the killings.
I went on Jay Dyer’s Esoteric Hollywood show to talk about this subject- you can listen to it at the Superbowl & Grammy’s: Black Magic HELTER SKELTER Race War post.
In 2016 we see that Katy Perry’s RISE will be selected as the song of the 2016 Summer Olympics. Of course, many of you that read A GRAND UNIFIED CONSPIRACY THEORY: THE ILLUMINATI, ANCIENT ALIENS, AND POP CULTURE already know why the Olympics are pagan and Illuminati rituals…
What are we to make of this sudden and unexplainable trend in the usage of the term RISE from the entertainment industry?…
I’ve argued for years now that the entertainment industry is owned and operated by the Illuminati and I believe they are conducting mass experiments to try and implant messages and themes into the subconscious. Charles Manson was privy to the knowledge of the occult from his contacts made in prison and also from his time spent roaming the coasts of California with his Mendocino witches, so it only makes sense that he would’ve been involved with some of the entertainers who have contacts with the Illuminati (e.g. Dennis Wilson from the Beach Boys and Angela Lansbury’s daughter).
Since writing this article in July 2016 I’ve observed more of the “RISE” language in pop culture. Worth noting that the theory still applies:
The Walking Dead (how appropriate…):
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Website publisher of IlluminatiWatcher.com, author, and independent researcher; Isaac Weishaupt has been on the leading edge of conspiracy theories surrounding the elusive “Illuminati” and its infiltration of the entertainment industry. Using examples of familiar pop culture and works of entertainment, Isaac has been speaking and writing about the occult from a unique perspective that seeks to understand the big agenda while helping others along the way.
Isaac has been a featured guest on Dave Navarro’s “Dark Matter Radio,” Richard C. Hoagland’s “Other Side of Midnight”, SIRIUS/XM’s The All Out Show, The HigherSide Chats, Freeman Fly’s “The Free Zone”, Mark Devlin’s “Good Vibrations”, COMPLEX Magazine, and many more radio shows and podcasts. His fresh perspective and openly admitted imperfections promotes the rational approach to exploring these taboo subjects and conspiracy theories.
- Gorightly, Adam. (2009) The Shadow Over Santa Susana: Black Magic, Mind Control And The Manson Family Mythos.