The tale of Sleeping Beauty was actually modified from an Italian fairy tale called Sun, Moon, and Talia written by Giambattista Basile in 1634. In this grim fairy tale, the King’s daughter Talia (who is the female protagonist similar to Aurora in Sleeping Beauty) is born with a divination that she would die from a splinter of flax. She eventually fulfills the prophecy when she attempts to help an old woman spin flax and a splinter goes under her fingernail and she drops dead/unconscious instantly. The king puts her body in one of his spare country houses and after some time a hunter finds the body after following his falcon to the location (akin to the raven Diablo in Sleeping Beauty). The hunter rapes the lifeless body, and Talia eventually gives birth to twins (whilst still unconscious), and the boy sucks on his mother’s motionless finger in an attempt to feed and pulls the splinter out. Talia awakens and names her twins Sun and Moon.
The king finds Talia and her children alive in the house and his wife (the queen; or Maleficent) becomes jealous and insists that Talia be thrown into a bonfire (aka bailfire, aka Ba’al-fire; see the Occult & Illuminati holiday traditions post). Ultimately, the queen gets a reversal of fortune and ends up in the fire herself.
What a lovely children’s tale. It’s obvious why Disney would add a bit of magic to it and retell it as Sleeping Beauty, right? Let’s explore it a bit more and see what Holly-weird has in store for the children in 2014…
The queen from the original Sun, Moon, and Talia tale will be explored through a portrayal by Angelina Jolie in the 2014 film Maleficent. Maleficent is a demonic fairy from the Disney fairy tale Sleeping Beauty, who lives up to her title which means “to do harm or evil.” She teleports supernaturally while King Stefan’s daughter, Aurora (played by Elle Fanning) is christened and curses her to die on her 16th birthday. The name Aurora means “dawn” and theorists believe it is important to the occult with the symbolism behind the Aurora, Colorado Batman shootings. The dawn is symbolic of the original tale in that we see more worship of the sun and moon, which is what all of these ancient cultures held as deities and arguably the secret societies and elite Illuminati types continue to worship.
We can see that Maleficent has demonic horns, which are all over the entertainment industry:
If you visit this website frequently you’re probably sick of hearing about the horns of Moloch, so if you need more knowledge dropped, hit read up on the Occult & Illuminati holiday traditions post, or comb through some of these posts. I’ve got an entire two-part post on Decoding Illuminati Symbolism: Moloch, Owls, and the Horns of Satan that goes really deep into this occult secret:
The importance of the symbolism is expressed by occultist Manly Palmer Hall in his book The Secret Teachings of All Ages:
In the World of Assiah are to be found the demons and tempters. These are likewise reflections of the ten great globes of Atziluth, but because of the distortion of the images resulting from the base substances of the World of Assiah upon which they are reflected, they become evil creatures, called shells by Qabbalists. There are ten hierarchies of these demons to correlate with the ten hierarchies of good spirits composing the Yetziratic World. There are also ten Archdemons, corresponding to the ten Archangels of Briah. The black magicians use these inverted spirits in their efforts to attain their nefarious ends, but in time the demon destroys those who bind themselves to it. The ten orders of demons and the ten Archdemons of the World of Assiah are as follows:
D1, the evil Crown; the hierarchy is called Thaumiel, the doubles of God, the Two-head; the Archdemons are Satan and Moloch.
Additional ideas behind the horns of Moloch would be the astrological basis of the various ages we’ve gone through. The Age of Taurus; the bull, is one in which the worship of Moloch is based and took place around 4000-2000 BC. This corresponds to what you can read in the Bible with Moses talking about the worship of the golden calf and the people sacrificing babies to the bull god Moloch in exchange for mercy and prosperity. The next astrological after that was the Age of Aries; the lamb, or ram from about 2000 BC to 1 AD. So we can see two consecutive ages where the symbol of two horns atop the head played an important part of culture and society. The Illuminati roots into the worship of these older polytheistic traditions and you can see it prevalent in tons of entertainment symbolism.
Commenter fleurdamour added a link to Winterspells which provides another description of the symbolism of horns through a unicorn:
The innocence of the Unicorn is signified, not only by its clean, white coat, but by its single, uncloven, horn. One horn suggests unity, it cannot be entered, it wards off intrusion. Dual horns, in this context, suggest that that which was whole is now split. The possessor of two horns lives in the world of opposites, of two sexes, and therefore is concerned with procreation. That which is split then seeks reunion through the birth of the third, mirror image of itself, and so the regenerative cycle goes on.
That is why the Unicorn can only be tamed by a virgin, for the Virgin is undefiled, unitary, and protected. The Men of the World cannot open the Unicorn’s body unless he lies in the lap of the Virgin who comes forward voluntarily with an aura of sacrifice. The symbolism of the single fertilizing horn in a Virgin’s lap is clear. In the case of the Unicorn, there is a divine fertilization. Only when the Soul, (the Virgin) is torn away from her union with the Divine, can she be joined with man. Therefore the men, who seek to re-discover lost innocence, and because they are of the World, cannot value purity as inner possession only, and kill the Virgin’s Divine connection so she will be available for them in the world of duality.
This interpretation suggests that there is an alternate allegory to that of the passion of Christ possible here, something to do with the Virgin as World Soul in union with the Divine, and the Unicorn as the mystic seeking return to the source.It is also a Creation myth that shows the Fall into duality without which earthly life would not be possible.
Another aspect of the film is the male protagonist who is named Prince Philip, who was named after the Duke of Edinburgh and the Royal Family. Prince Philip has his dark history, with family members in the Nazi party. I explored this topic a bit in my book A Grand Unified Conspiracy Theory: The Illuminati, Ancient Aliens and Pop Culture:
Another facet of this conspiracy includes Prince Philip and the Royal Family’s checkered history. There is photo of Prince Philip with Nazis because he had married into a family that included Nazi S.S. soldiers. Years later, Prince Harry would be splashed across tabloids because of a Halloween costume with a Nazi swastika that he wore. Again, this is supposed to all just be a coincidence. Prince Philip was interviewed and made this now infamous dark quote:
“I just wonder what it would be like to be reincarnated in an animal whose species had been so reduced in numbers than it was in danger of extinction. What would be its feelings toward the human species whose population explosion had denied it somewhere to exist. I must confess that I am tempted to ask for reincarnation as a particularly deadly virus.”- Prince Philip
This seems to support the wide conspiracy theory that there is a secret plan to have a reduction in population through a eugenics program. This reduction in population is supposedly a multi-faceted approach using abortion clinics, fertility measures, and chemicals in the food in order to keep the number of people on earth below a certain level.
Getting back to Maleficent, we can see that she has some of that good reptilian Illuminati blood because she shape shifts into a dragon to fight Aurora’s suitor, who eventually overpowers her through the use of white magic from the help of the good fairies. She also has a raven named Diablo, which is an obvious reference to the Devil, (portrayed as “Diaval” in the 2014 film that shape shifts from human to raven).
In the original film, the three fairies bestow gifts of beauty and song upon Aurora , which is akin to what today’s pop singers are getting in trade for their soul, such as Britney Spears and Ariana Grande. To take this music industry connection a bit further, let’s explore the spinning wheel that will kill Aurora. The spinning wheel is akin to a record, effectively saying that the music industry will kill her. In Sleeping Beauty she is supposed to prick her finger on the spinning wheel, which was referring to a tapestry spindle used for clothing many years ago. The Phonograph (vinyl) record players of the mid-1950s (Sleeping Beauty was released in 1959) had a changer called a “spindle” that would hold records to be dropped after the previous record was done playing. It’s not too far of a stretch to think that this could be a metaphor for trading one’s soul for youth and beauty in the entertainment industry.
The whole concept behind this is the indoctrination of magic so that it allures children and gets them to play it out in real life. This is similar to Harry Potter, Masters of the Universe, and other occult themed children’s shows. You get the children to take part of the ritual and perform magic spells, whether they seem harmless or not is of no consequence. What matters is that they eventually grow up and subconsciously accept themes of white and black magic and the idea that one can become their own god without spiritual guidance. We see this taking place in New Age religions and concepts like The Secret. Even Aleister Crowley liked to perform tantra and yoga…
When interviewed about the character’s appearance, Angelina Jolie said she “liked the way Lady Gaga had her makeup done with the triangular forms under the skin.” Hmm… Gaga and Moloch horns?…