Illuminati, Alchemy, & Occult Symbolism in Stanley Kubrick’s ‘A Clockwork Orange’

 

As most of my fellow Watchers know, I love dissecting symbolism found in various films, music videos, and television shows. I seek to find some kind of hidden message that is placed there by the elites of Hollywood, media, or whatever corporate branch of the Illuminati is involved.

One particular director stands out as having more covert symbolism than most, and that is Stanley Kubrick. You can see my dissections of his works such as The Shining or his final film, Eyes Wide Shut (a film that arguably left him an open target for murder by the Illuminati for revealing too many secrets).

Here the viewer can ‘viddy’ another of Kubrick’s masterpieces called A Clockwork Orange. I’ve long been fascinated with this film, due to the debauchery of Alex and his droogs as they raped and pillaged the English countryside. The message behind the film is actually philosophical in nature; leading it to become one of the cult-classics of the 20th century. One can see various aspects of religion, politics, big government, and mind control throughout (as you’ll see).

You can watch my breakdown of this film on YouTube (with even more images):

 

 

The purpose of this post is not to re-hash the entire story for the reader, but rather to pull out the images and symbols that I’ve found in the film. Therefore, if you haven’t seen the film feel free to do so now, as there are plenty of *SPOILERS* throughout this post.

Let’s take a look and use our ‘glazzies’ to see what symbolism is hidden in Kubrick’s adaptation of A Clockwork Orange

 

Clockwork Orange Poster

 

First, let’s do a brief recap on the origin of the story. The novella under the same name was written by Anthony Burgess in 1962. Burgess was a writer who got his artistic start in the Royal Army Medical Corps by composing performances in the Entertainment Section of the 54th Division. He eventually transferred to the Education Corps and was given the task of teaching soldiers The British Way and Purpose– a collection of essays on justifying the British Empire and future establishments of welfare states and criminal punishment. Its overall message was that of fighting totalitarianism and injustice through “individual responsibility.”

 

Anthony Burgess Clockwork Orange

 

One could take a step back and realize that Burgess was arguably involved in Psychological Operations (PsyOps) due to his indoctrination of British propaganda and beliefs. The mission was to convey this idea of how all soldiers and civilians needed to be “Responsible Citizens” who held up certain roles in society.

Burgess often times mocked these beliefs, even though he was tasked to convey them on a regular basis. He did seem to support this idea that entertainment is being used as a tool of distraction- an argument I present in my hip hop conspiracies book called SACRIFICE: MAGIC BEHIND THE MIC with talk of Francis Bacon’s manipulation through entertainment:

… he plays an instrumental role in this Illuminati/transhuman agenda because he allegedly had all these ties to the secret societies in question and showed them that you could use entertainment as a form of manipulation. You could capture an audience’s attention with a play (or music and film) much easier than preaching at them. The entertainment speaks to us on a subconscious level as well, implanting a message or theme into our mind. It’s a universal language that can speak to us through allegory and symbols.

SACRIFICE MAGIC BEHIND THE MIC cover

Burgess said the following:

‘If we shirk our responsibilities, if we hand over the management of our affairs to other people, if we think that six times a week to the cinema is better than doing a job for our neighbourhood and for our country then we are inviting dictatorship’

This idea of a “Responsible Citizen” is where we see roots for A Clockwork Orange taking place. The government seeks to create a league of “responsible citizens” through mind control experiments, but there will be more on that later…

 

IlluminatiWatcherDotCom Clockwork Orange Ludavico Theater

 

There are various urban legends about Burgess writing this novel because he was diagnosed with a non-operable brain tumor and wanted to provide income for his wife in the event of his passing, but I’ve also read that he made this up, for whatever reason. The origin of the brain tumor diagnosis was from 1959, but he proceeded to live until 1993, so take from that what you will. Perhaps someone out there who is more well-versed in Burgess’ life can provide some insight in the comments below. To me it seems amazing that he would live so long with a brain tumor, considering that he was known to drink gin by the case and smoke up to 4 packs a day.

As I discuss elsewhere in this post; Burgess’ novella featured a final, 21st chapter that was omitted from both the American published version and Kubrick’s film adaptation. Burgess argued that this 21st chapter was important from a stance of numerology because it was the number that represented human maturity. This American version of the book was the one Kubrick used to create the film in 1971.

In 1986 Burgess re-released the book with all of the chapters, and it also had a foreword that relayed his disdain for the book’s notoriety. (*I’d like to mention that this book is incredibly hard to read with the pervasive use of his fictional Nadsat language- I recommend watching the film first*). He discussed his opposition to the removal of Chapter 21 for reason of both numerology and character progression:

“Novelists of my stamp are interested in what is called arithmology, meaning that number has to mean something in human terms when they handle it.”

In the controversial, previously omitted final chapter, Alex reforms and loses interest in violence and things of that nature. He progresses in character, or moral transformation- a key attribute to any “real” novel (as Burgess suggests). Also- here is where we get another hint of why this novella was titled A Clockwork Orange:

“My young hoodlum comes to the revelation of the need to get something done in life- to marry, to beget children, to keep the orange of the world turning in the rookers of Bog, or hands of God, and perhaps even create something- music, say.”

He also says that man is a clockwork orange “meaning that he has the appearance of an organism lovely with colour and juice but is in fact only a clockwork toy to be wound up by God or the Devil or the Almighty State.

Another reason for the title is found in the book where we learn that the writer was typing away at a book called A CLOCKWORK ORANGE and Alex says:

That’s a fair gloopy title. Who ever heard of a clockwork orange?

He then reads a passage:

-The attempt to impose upon man, a creature of growth and capable of sweetness, to ooze juicily at the last round the bearded lips of God, to to attempt to impose, I say, laws and conditions appropriate to a mechanical creation, against this I raise my swordpen.

Burgess believed that the US (and Kubrick, effectively) omitted the 21st chapter because they thought the Americans were “tough enough” to handle this darker ending. Here is where we see the seeds of manipulation being sewn with allegations that the US wanted a certain agenda to be perpetuated.

Burgess said that “what was really wanted was a Nixonian book with no shred of optimism in it. Let us have evil prancing on the page and up to the very last line, sneering in the face of all the inherited beliefs, Jewish, Christian, Muslim and Holy Roller, about people being able to make themselves better.

This supports the idea that the Illuminati seek to influence Americans through pop culture and covert PsyOps- bringing us full circle into my realm of IlluminatiWatcher.com symbolism and Illuminati allegations.

NOW, let’s take a look at what Kubrick placed in the film…

 

Symbolism in Kubrick’s adaptation of ‘A Clockwork Orange

First, let us revisit the film one sheet (poster). Here we see the main character, Alex, as he is sporting an outfit with an eye on the sleeve cuff. Notice how close to the apex of the pyramid the eye sits:

Clockwork Orange Poster

This is very obviously a reference to the American dollar bill and its illuminated apex on the Great Seal:

 

Great Seal

 

The first shot of the film also reinforces the All Seeing Eye symbolism of Alex with his highlighted right eye:

 

IlluminatiWatcherDotCom Alex All Seeing Eye

 

The right eye is symbolic of the Egyptian sun god, Ra; or simply the power of the masculine divine. I’ve explained this in my post about the symbolism behind the triangle/pyramid:

The ancient deities that were affiliated with the sun were done so in order to convey the symbolism of strength and power (e.g. the Egyptian gods Horus and Ra, or the goddess Isis). The association of power and the sun eventually finds its way into a symbol for male power. This is appropriate since patriarchal-dominated societies are known for wars, primal urges, aggression and instantaneous flare ups.

The book makes no mention of his eyelashes specifically, so I’m led to believe that Kubrick fabricated this aspect of Alex’s character due to his knowledge of Illuminati secrets (see the IlluminatiWatcher’s ‘The Shining’ Symbolic Analysis).

 

IlluminatiWatcherDotCom The Shining 001

 

To tie into The Shining a bit more, we could look at a great analysis posted on UCLA’s website that draws on some of the analogies Kubrick had with 2001 and this film. First, the homeless person at the beginning of the film talks about the NASA program (which Kubrick allegedly shot the fake moon landing photos in exchange for a blank check to film 2001):

“What sort of world is it at all? Men on the Moon? Men spinning around the Earth? And there’s not no attention paid to law and order anymore.”

That same paper also talks about the battling apes at the beginning of 2001 and how they are meant to symbolize Alex and his droogs as they fight Billyboy and his gang at the dilapidated theater.

 

2001 Apes

IlluminatiWatcherDotCom Clockwork Orange Theater Casino Rape

 

One thing they didn’t mention in that paper is the end of 2001 and how the Star Child is the last shot, while the first shot of A Clockwork Orange is a pan out from Alex- implying he might be the moon man of alchemical transformation. In the chronology of Kubrick films, 2001 was the film just prior to A Clockwork Orange so effectively they do imply that Alex is the rebirth of the Star Child:

 

2001 moon child

 

Getting back to the sequences in the film; the first shot introduces the viewer to the Korova Milk Bar. This is a place where the crew gets high on milk laced with various drugs (you can see the names on the walls around them):

 

IlluminatiWatcherDotCom Clockwork Orange Moloko Bar

 

The film uses symmetry to show us various relations of drugs, music, and consumption of sex & violence; ALL themes that are seen throughout entertainment fueled by Illuminati symbolism. For instance, at the beginning Alex and his gang are hanging out at the Korova Milk Bar which sells drugs called Milk-Plus (“plus” meaning Vellocet, Synthemesc, or Drencrom) in order to “sharpen you up for a bit of the ol’ ultraviolence.” The gang then goes out and conducts murder and rape and so-on. In the middle of the film we see Alex being subjected to mind control experiments using more drugs. In this experiment called the Ludovico Technique, Alex is exposed to scenes of graphic violence and given a negative reaction to them so that he feels sick anytime he’s put into a similar situation. By the end of the film we see Alex get out of prison and being subjected to violence when his old friends nearly kill him.

As Watcher “XYZC” commented below; the term ‘moloko’ sounds an awful lot like the Moloch deity I speak of so often. I have an entire post on Decoding Illuminati Symbolism: Moloch, Owls, and Satan in which you can see that there is a long historical precedence of Illuminati buggery with this horned deity, so perhaps it’s not so crazy to mention this aspect as well. Moloch was used to sacrifice children to, and A Clockwork Orange might contribute to that with a concept of ‘wasted youth’.

 

IlluminatiWatcherDotCom Occult Holiday Moloch

After the droogs get ‘sharpened up’ at the Milk Bar, they stumble across a rival gang led by Billyboy, who you’ll notice is covered in Nazi propaganda:

 

IlluminatiWatcherDotCom Clockwork Orange Theater Rape Nazis

 

Kubrick was Jewish, but married into a family that had Nazi connections through his wife’s (Christiane Harlan) uncle, Veit Harlan, a man known for directing Nazi propaganda films like Suss the Jew. Also, Operation Paperclip saw an influx of Nazi scientists into America like Wernher von Braun who helped NASA get to the moon; again tying us into The Shining and the conspiracy theories that Kubrick was exposed to the Illuminati agenda.

After the gang fight we see the droogs head into the night in a stolen Durango 95:

 

IlluminatiWatcherDotCom Clockwork Orange DAV485Q Durango 95

 

And you’ll notice they get off on playing chicken with oncoming cars. One of these oncoming cars is a Volkswagen Beetle; a car designed by Adolf Hitler:

 

IlluminatiWatcherDotCom Clockwork Orange Durango 95 VW Beetle

 

We saw some buggery in my analysis of The Shining with the purposeful changing of colors of the Beetle as well:

The Volkswagen Beetle we see here is red and is crushed under the tractor trailer. The Beetle in King’s novel was red, so this could be viewed as a hostile move on Kubrick’s part. Why he did it, I’m not sure, because King was initially excited that Kubrick was making a film about his novel. King submitted a screenplay to Kubrick, which he actually turned down, so perhaps at this point some words were exchanged and prompted this scene.

IlluminatiWatcherDotCom The Shining 42

 

The Durango 95 pulls up to the destination of “HOME” and the boys proceed to go inside for a bit of the ultraviolence. For this next bit, I’d like the reader to take notice to the twin pillars in the center of the image (we’ll explore this here in a second):

 

IlluminatiWatcherDotCom Clockwork Orange HOME Twin Pillars Boaz Jachin

 

The crew rings the doorbell and we first see the idea of reflection and mirroring concepts when the female answers the door:

 

IlluminatiWatcherDotCom Clockwork Orange HOME Checkered Floor Reflective

 

Kubrick loved exploring the duality of man in his films and showing different aspects of humanity like the contradiction of love and war (like in Full Metal Jacket when Joker is wearing a peace pin). Also, notice that the floor has the checkered pattern which is found in all Freemason lodges, known as “Moses Pavement” which also symbolizes the duality of man:

 

masonfloor

 

There’s also this aspect of mirrors that suggests we’re going to be witnessing some mind control. In Freeman Fly & Jamie Hanshaw’s post about the Top 10 Signs of Mind Control, you’ll see that the symbolism of a mirror is prevalant in pop culture mind control examples:

Inside the car, which happens to be the “Pussywagon” from Tarentino’s movie Kill Bill, Gaga and Beyoncé engage in a strange dialogue between two mind-controlled slaves. The phrase Beyoncé says, “Trust is like a mirror. You can fix it if it’s broke”…and Gaga replies “but you can still see the crack in the motherfucker’s reflection”, can refer to a cheating boyfriend and can also refer to the permanent damage caused by the fragmenting of one’s personality in mind control.

Beyonce article FreemanTV mirror

 

The crew barges in and proceeds to rape the woman while making the husband watch (he is the ‘writer’ revealed to have the name of F. Alexander in the book). This is the scene where actor Malcolm McDowell (who plays the role of Alex) improvised the song and dance for Kubrick as he proceeded to smash fellow droogie, Dim, in the balls with his cane while “Singin’ in the Rain”:

 

IlluminatiWatcherDotCom Clockwork Orange HOME Jackass and EWS Masks

 

The irony of this is that Alex wacks Dim in the balls with his cane in a playful manner (and later he does it in a not so playful manner), but this is what years later we would see the stars of Jackass do on a regular basis. In the film Idiocracy we also see a dystopia future with a show called Ow, My Balls that depicts a dumbed-down America getting off on watching violence; particularly a man getting wacked in his balls.

You’ll also notice that the writer starts out as a victim of the violence, but by the end of the film becomes the perpetrator of it when he forces Alex to attempt suicide by playing Beethoven’s 9th into Alex’s room. Perhaps this is why we see the twin pillars of transmutation of man; Boaz and Jachin at the entrance to the writer’s “HOME”:

 

IlluminatiWatcherDotCom Clockwork Orange HOME Twin Pillars Boaz Jachin

 

High Priestess Tarot card black white pillars boaz jachin

 

The single tower rising up between the previous twin towers is symbolic for the equilibrium of two opposing forces, but the twin pillars themselves represent the entrance to a ‘mysterious’ place, perhaps the transformation of man through the alchemical process of becoming enlightened. This is why they were at the entrance to Solomon’s Temple and found at every Freemason temple.

 

Freemason ladder

 

We also see them again at the end when Alex is left for dead and in need of help, marking yet another transformation/progression of his character:

 

IlluminatiWatcherDotCom Clockwork Orange HOME Twin Pillars Boaz Jachin Two

 

An even stranger idea revolving around these duality aspects are the occult beliefs in uniting the duality of man into one essence. The much-revered Baphomet comes from a long line of occult imagery that seeks to convey the “perfection” of androgynous beings who feature sex organs of both male and female:

 

Baphomet

 

Aleister Crowley believed that all things labeled as opposites, were in reality the same, and actual unities. This is why the alleged satanic Process Church of the Final Judgment (an offshoot of Scientology) seeks to unify the Church and Satan, because they believe in this unification idea. One person who took these ideas of the Process Church and ran with them is Genesis P. Orridge. He is also known for creating industrial rock in the ’70s which influenced David Bowie and Nine Inch Nails.

He’s also known for turning himself into a pandrogyne, seeking to merge man into woman:

 

Genesis P-Orridge

 

I don’t want to get too far off topic, but Genesis is tied into all sorts of occult magick, Crowley, and modern rock. There’s a full in-depth post about the entire conspiracy behind the music industry and the Satanic roots here at 1260.info:

In his book, The Ultimate Evil, investigator author Maury Terry writes that between 1966 and 1967, a Satanic-group the Process Church Cult [PCC], sought to recruit the Rolling Stones and the Beatles.  He also goes on to implicate the PCC in the Charles Manson and Son of Sam [David Berkowitz] multiple murders.  A key link between the Rolling Stones and the PCC, is Kenneth Anger, a follower of Aleister Crowley the founding father of modern day Satanism.  

Genesis is credited for starting the performance-avant garde art movement called COUM Transmissions, an idea that came to him from a disembodied voice. One of his first performances was a mash up of A Clockwork Orange and The Electric Kool-Aid Acid Test called Clockwork Hot Spoiled Acid Test, which brings us back to our main subject at hand.

Another tie-in with this pandrogyne aspect is that the person who created the score for both A Clockwork Orange and The Shining was a woman named Wendy Carlos. She originally was known as Walter Carlos until she had the sex reassignment surgery (although not for the same reasons we saw Genesis P. Orridge go through with it).

 

Walter_Carlos_Clockwork_Orange

 

As another side note (last one, I swear)- the large man we see in A Clockwork Orange living with the writer is actor David Prowse, who also played the role of Darth Vader in Star Wars. This makes him no stranger to occult symbolism in film since Darth Vader is symbolic of the Kabbalah Tree of Life and the Da’at sephirot (Darth was a title given to Sith lords in the Star Wars storyline; a name that represents the dark side). The Da’at Sefirot in occult belief systems represent the destruction of the ego and entrance to the Dark Side of the Tree of Life; aka the Abyss. Learn more about the Kabbalah secrets in my post dedicated to that subject.

 

David Prowse Clockwork Orange

 

Getting back on track with the film sequence, after the brutal rape we see Alex get back to his parent’s apartment and we see more mirror symbolism.  We also see that Alex has a severed eye stitched onto his sleeve cuff; yet more All Seeing Eye symbolism. These things don’t have any mention in the book so I’m led to believe that Kubrick came up with these themes.

 

IlluminatiWatcherDotCom Clockwork Orange Alex All Seeing Eye Mirror

 

Here we are also introduced to Alex’s pet snake, Basil. This also doesn’t appear in the book, so it seems that Kubrick was conveying an evil side of Alex with this addition. The snake has long been depicted as an embodiment of evil, most familiarly in the Bible with the story of Adam and Eve:

 

IlluminatiWatcherDotCom Clockwork Orange Alex All Seeing Eye Snake

 

In case you didn’t buy that theory, take a look at another shot of the serpent as he moves above figures of Jesus:

 

IlluminatiWatcherDotCom Clockwork Orange Snake Woman2 Jesus

 

While in his room we first learn about Alex’s penchant for listening to classical music. Kubrick focuses in specifically on Ludwig van Beethoven.

 

IlluminatiWatcherDotCom Clockwork Orange Beethoven No 9

 

What’s interesting about this is that the book details all different kinds of classical composers and only mentions Beethoven a couple of times. Perhaps Kubrick was tipping his hat to Beethoven’s alleged involvement in the Illuminati, as author Barry Cooper makes mention of in his biography book, Beethoven:

 

Beethoven Book Illuminati

 

The next morning Alex sleeps in and skips school, complaining of a “pain in the gulliver”. In the book, we learn that all people who are not ill, nor with child must work at one of many state-run places of employment. Alex’s mother works at the ‘StateMart’ grocery store stocking shelves, a task that Alex refers to as “rabbiting.”

Alex’s father was played by Philip Stone, who was also Delbert Grady, the caretaker in The Shining:

 

Clockwork Dad

 

Note the mirrors in The Shining:

Grady Shining

 

While he is home he is paid a visit by P.R. Deltoid; his post corrective advisor. This is presumably similar to a probation officer, but what makes this scene notable is that Alex is prancing around the house in his panties (in the book he’s wearing a robe), and then Mr. Deltoid grabs his crotch:

 

IlluminatiWatcherDotCom Clockwork Orange Abuse Crotch Grab

 

This reminds me of Kubrick’s display of child abuse in The Shining where it seems that Jack has been sexually abusing Danny:

 

IlluminatiWatcherDotCom The Shining 35

 

Unfortunately, this is also an Illuminati practice for various reasons, including known high-level rings of pedophilia like the Franklin Cover-Up, or just overall occult sexual depravity like Aleister Crowley wrote about when he talked about how children should be exposed to all things sexual in nature from a young age.

I’ve listened to several podcasts and YouTube videos about Clockwork and nobody seemed to have caught the subtlety placed soundtrack to 2001: A Space Odyssey (the Kubrick film released prior to Clockwork) placed in the record shop. Take a look; do you see it?…

 

IlluminatiWatcherDotCom Clockwork Orange 2001 soundtrack

 

Whilst in the record shop, Alex confronts the two ladies who are sucking on popsicles. This is also a detour from the book because the girls in the book are only 10 years old (while Alex is 15). In the film we presume his name is Alexander DeLarge, but in the book he calls himself Alexander The Large before he rapes these two 10-year olds. In fact, the first time we learn of Alex’s sexcapades in the book is much more disturbing than the film.  In the book the “humble narrator” says the following:

“Well, they would grow up real today. Today I would make a day of it. No school this afterlunch, but education certain, Alex as teacher.”

 

IlluminatiWatcherDotCom Clockwork Orange Zhivago

 

You’ll also see a reference to a pop singer named Johnny Zhivago on the track list. This is in the book as well, which is strange because there was a film released in 1965 called Doctor Zhivago. Kubrick loved that the director of Doctor Zhivago, David Lean, billed his films with his name in front of the title (ex: David Lean’s film of Doctor Zhivago). Kubrick insisted he get the same treatment so the film was billed as Stanley Kubrick’s Clockwork Orange.

 

Clockwork Orange Poster

 

Kubrick wanted people to recognize his superstar status and to also let everyone know that even though Burgess wrote the book, Kubrick directed, authored the screenplay, and produced this film, giving him complete artistic control.

After the sex scenes there is a failed attempted coup of Alex from his droogs, and later they set him up to get caught during a house burglary.  In the film, Alex bludgeons a woman to death with a statue of a penis (after telling her she’s “naughty, naughty, naughty!”). In the book the penis statue isn’t there, but rather a bust of Ludwig van Beethoven. Was Kubrick trying to say that Beethoven was an Illuminati dick?…

In the book Alex is whipped across his eyes with a chain, while in the film we see Dim smash a bottle of milk across Alex’s face before the police arrive. Perhaps Kubrick thought the symbolism of the milk was more important since the Korova milk bar was the only set that was built for the film.

 

IlluminatiWatcherDotCom Clockwork Orange Moloko Bar

 

Alex eventually finds himself incarcerated under the prison number 655321, which is actually 6655321 in the book. Does anyone have any ideas on why Kubrick dropped one of the 6’s? If you do, comment below. I’ll have a theory later on…

To stay on the theme of Nazis; take a look at the Chief Guard of the prison in which Alex finds himself in and you’ll see a marking resemblance to Adolf Hitler:

 

IlluminatiWatcherDotCom Clockwork Orange Hitler Prison Guard

 

After a couple of years in prison, Alex figures out a way of getting into an experimental government program used to brainwash prisoners into being functional members of society (the “Responsible Citizen” I alluded to at the beginning of this article). This would be known as the “Ludovico Technique”. This Italian name isn’t really explained in the book or film, but I’ve got a theory I’d like to propose. I suggest that it’s a play on Ludwig van Beethoven because in the film/book we learn of Alex’s affinity for Ludwig’s Violin Concierto. You’ll see the ability to pull out certain letters:

Ludwig’s Violin Concierto=Ludovico

 

IlluminatiWatcherDotCom Clockwork Orange Ludavico Serum 114

 

The mind control aspects of the film are prevalent here, as we see MKULTRA type experiments, a CIA program I detail in SACRIFICE: MAGIC BEHIND THE MIC:

The COINTELPRO project managed to deter many subversive groups like the Ku Klux Klan, the Socialist Workers Party, and the Black Panthers. The program didn’t end until 1971 when it was exposed and turned over to media outlets. Similar to the MKULTRA mind control program of the CIA, we are left to believe that it simply no longer exists under a different name, even though it was shut down only after its exposure. No matter what ever became of this program, its effects were long lasting.

 

IlluminatiWatcherDotCom Clockwork Orange Ludavico Theater

 

Alex get all sorts of plugs jammed onto his head, which is something we see from other victims of mind control like Britney Spears and Michael Jackson. I detail this out further in an article on MJ’s mind control sketches:

The celebrity public melt down that was most notoriously remembered was when Britney shaved her head and said that she was tired of doing what her handlers wanted. FreemanTV.com posted up an great article about mind control and Hollywood, and here’s a small excerpt from it about Britney:

Britney Spears’ career is a perfect case study of trauma-based mind control in the entertainment industry. From Lolita/kitten themes to group sex to Mars and clone labs, practically every aspect of MK ULTRA programming can be witnessed in her career. When her music videos are watched in chronological order, they tell a horrific story of never ending enslavement.

Illuminatiwatcherdotcom Michael Jackson plugs mind control

 

 

During the mind control experiment, Alex is subjected to various videos of graphic nature and violence. Here we see even more Nazi symbolism (which is in the book as well; so I can’t claim that Kubrick came up with this):

 

IlluminatiWatcherDotCom Clockwork Orange Ludavico Theater Hitler

 

In the book, we also find out the origin of the strange language of this tale (referred to as “Nadsat”) when Dr. Branom tells Alex that Nadsat was Slav propaganda with subliminal penetration. This supports many of the theories I present on IlluminatiWatcher.com which detail symbolism; a language that I argue the Illuminati is using to persuade us on the subconscious level.

After being subjected to the Ludovico Treatment, Alex is released, but Karma bites him in the arse and his old droogs (now policemen) find him. Here is where I believe the missing ‘6’ from Alex’s prison number shows up because you’ll notice Dim has the number 665…

 

IlluminatiWatcherDotCom Clockwork Orange Dim 665

 

…while Georgie (who in the book is dead and gone and replaced by Billyboy) is number 667:

 

IlluminatiWatcherDotCom Clockwork Orange Droog 667

 

…which leaves the missing number between the two of ‘666’ and that last 6 is where Alex’s prison number lost its 6. If you have a better idea leave a comment at the bottom, I’d love to hear it.

After being left for dead, Alex stumbles into a house which is the same “HOME” from earlier where he conducted the rape. You’ll also notice that the doorbell is to the tune of Beethoven’s Fifth Symphony; another addition by Kubrick. Also- notice how odd the reflection of the mirror is. It appears to be on a flat wall, yet is reflecting the black and red chair behind it:

 

IlluminatiWatcherDotCom Clockwork Orange HOME Mirror without reflection

 

In the film we see that the writer is seeking to use Alex for political gains and make him attempt suicide by blaring Beethoven into Alex’s locked room (with a window being the only means of escape). In the book we have a similar setup, but Alex actually takes a look at the book the writer (F. Alexander) was typing away at called A Clockwork Orange before taking the plunge, pulling the reader full circle back to the beginning where Alex originally ripped the book up before raping his wife. This is also where Alex realizes that F. Alexander shares the same name as him.

 

IlluminatiWatcherDotCom Clockwork Orange As Above So Below

 

IlluminatiWatcherDotCom Clockwork Orange As Above So Below 2

 

Alex doesn’t quite “snuff it” but rather gets hospitalized as the media frenzies over this mind control experiment gone wrong:

 

IlluminatiWatcherDotCom Clockwork Orange Brainwashing headline

 

 

At this point the Minister of the Interior pays Alex a visit and informs him of the ‘new deal.’ He tells him that the writer wrote “subversive” literature and the government “put him away” for Alex’s protection. He then offers Alex a job within the government to help relay the message as a PsyOp so they can get re-elected:

 

IlluminatiWatcherDotCom Clockwork Orange Govt Psyop Media

 

 

Here is where the film concludes, omitting the 21st chapter where Alex reassesses life and determines that he has matured and will no longer take part of the debauchery and ‘ultraviolence.’ He ponders on a future family with a son that might take the same path he did after coming across an old droog of his (Pete).

Here is one theory as to why Kubrick didn’t include this aspect (besides the ‘official’ story that claims he didn’t know about the 21st chapter until they were almost done filming). I propose that Kubrick was interested in exploring this idea of an anti-hero. This ‘dark hero’ concept wasn’t all that popular in the ’70s and that makes Kubrick cutting edge. This is a concept I explored in a post about Illuminati dark hero programming in film and television:

I’m posting about this doc because it is a demonstration of the ability for the entertainment industry to paint traditionally “bad” guys as the hero. The concept of the dark-hero and his /her ability to gain sympathy from the audience is evident in this example. Even though they are definitely evil, or “bad,” they are portrayed in a light that lets you know they are just a human with good intentions. It somehow tries to show us that the ends justify the means, and evil is not really all that bad.

For example, the show Dexter has the main character who is a serial killer (albeit a vigilante), but you find yourself rooting for this killer. Same goes for pretty much any rapper who glorifies violence. And of course, the ultimate in manipulation comes from Disney who is taking a turn for the dark side through films such as Maleficent that shows us the tale of Sleeping Beauty through the eyes of the evil villain (although I’m sure we’ll feel bad for her at some point). In fact, Disney has a new show called Descendants that focuses entirely on all of the villains!

This anti-hero agenda makes us actually sympathize with Alex or perhaps identify with him, even though the book shows us he is a murderer who raped two 10-year olds! I’m not saying I’m not fascinated with Alex’s character as well, but these entertainers take it to a new level. For example… (from TheGuardian):

It was the moment, perhaps, when A Clockwork Orange ceased to be dangerous. In Cardiff in April 2002, halfway through the first night of her world tour, after a blast of Beethoven’s Ninth, Kylie Minogue pranced on stage – in a black bowler hat and a white jumpsuit. She then launched into Spinning Around, surrounded by dancers dressed as truncheon-swinging droogs in red codpieces.

Clockwork Orange Kylie Minogue

Minogue was by no means the first to borrow A Clockwork Orange’s iconography over the past 40 years. In live music alone, such a list would include David Bowie, Led Zeppelin, countless punk bands, Madonna,Megadeth and Sepultura, as well as Blur, Usher and Lady Gaga, who, in her live shows last year, made her entrance to the film’s theme music. And with each new appropriation, it gets that little bit harder to remember what all the fuss was about in the first place.

Clockwork Orange David Bowie

Clockwork Orange Gnarls Barkleyjpg

 

Clockwork Orange Eminem

 

Clockwork Orange Jon Bonham Led Zeppelin

 

Clockwork Orange Megadeth

 

Clockwork Orange My Chemical Romance

 

Clockwork Orange Rihanna

 

Clockwork Orange Usher

 

Clockwork Orange Christina Aguilera

 

Clockwork Orange Madonna

adrianne_curry_illuminatiwatcher clockwork orange

 

Here’s one last thing I’d like to show you that I’ve not seen anyone cover yet. Given all of the mind control and brainwashing subjects within the film, I find it interesting that the last shot of the movie shows us a woman with an MKULTRA Project MONARCH butterfly over her face (take a look at the far left, all the way towards the front):

 

IlluminatiWatcherDotCom Clockwork Orange MKULTRA Project MONARCH butterfly

 

Overall, this film seems to explore aspects of free will, science vs. God (with the Ludovico Technique mind control), and even predictive programming (the film was controversial in that it sparked many copycat crimes). Kubrick was once again ahead of his time and gave you and I tools to uncover the deception with films like these.

 

I’ve got a comprehensive e-book and 2+hour documentary video that compiled several of Kubrick film analysis’ (A Clockwork Orange, The Shining, Eyes Wide Shut AND the exclusive 2001: A Space Odyssey) into a downloadable PDF & video project I called KUBRICK’S CODE. Check it out here:
Kubrick Code Cover v2

Or pick up one of the bundled packages with KUBRICK’S CODE in it:

Horus Package Book Covers

 

 

Thanks for looking and if you have any ideas feel free to comment below.

 

 

 

Author: Isaac Weishaupt

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24 Comments

    • They are also ruining the economy to trigger an elimination of the America
      as we know it, so they can round up, and exterminate everyone who knows too
      much. They caught me once. In 1959 my buddy and I met a homeless banished
      ex-lodge member. He told us all the big secrets. In 1962 I wrote them in a
      high school term paper, got a 98% for it, graduated with honors, and joined the
      Army.
      Meanwhile, the instructor of that class sold my term paper in the term paper
      black market, the wrong people read it, they hired detectives to hunt me down,
      and they zeroed in on me in the Army. They gave me Hell, the Clockwork Orange
      treatment, by large doses of LSD, while being forced to watch horrible films of
      human torment.
      But before doing that, they bragged to me how powerful they were: the modern
      “conspiracy theory”. Before the modern conspiracy theory, the “conspiracy
      theory” was that rich Jews controlled the world’s economy. I wrote a twenty page
      report and mailed it to the John Birch society, in 1972. Then the John Birch
      society published what I sent them which became the modern conspiracy theory.
      The Clockwork Orange treatment I was given, by large doses of LSD, went
      much further than they expected. Not only did I live the torments of all the
      people in the films they showed me, I lived the times, when I saw them, of every
      person and animal I had seen, even in the movies and on TV. After that life I
      found myself back in time, back in Valley Forge Army Hospital where it happened
      again, but, I also body switched into the bodies of all I had seen in that life,
      for the periods of time I had seen them. Then the life after that, I was able to
      remember some of the mistakes I made the last time around.
      On September 17, 1970 I got stung by a bumble bee, while I was deep in the
      forest. I am allergic to bees, and soon I passed out, waking up, what seemed
      instantly, six hours later. This turned out to be a great blessing, for the next
      time around, after another life time, I woke up back where I had passed out from
      the allergic reaction. But, I had great mind power there and used it to defend
      myself, but later, got so much mind power that my every thought manifested as my
      reality, and I couldn’t handle it. I ended up body switching again, and found
      myself back in Valley Forge Army Hospital, and started again from there.
      This series of pairs happened 36 times, giving me an existence as who I
      am, for over 5000 years, by going backward and forward in time so many times.
      This was done to me for printing in a term paper what a banished lodge ex-member
      told me, which can be put in medical terms today in one sentence,
      “VAGAL STIMULATION IS AS EFFECTIVE AS LSD”.
      So, even though I was threatened to be put in Hell permanently, each time,
      I have done everything in my power to spread these secrets. Here is another
      example: We are drawn to the probability timeline resonant to our thought, by the
      attractive force of inductive resonance. Vagal stimulation wakes up the brain to
      more than the normal 10% brain use. This means 10% brain use at any one time,
      like, an MRI shows the most used parts of the brain by patches of colored light,
      but, these move around, so that we average 10% brain use, if we are “normal”.
      But, with 10% brain use or less we must earn what we get; 20% to 29%, an
      appropriate ritual will get us what we want; 30% to 39%, writing down what we
      want will get it; 40% to 49%, saying what we want will get what we want: “If you
      have the faith of a mustard seed and SAY to this mountain move, it shall be
      moved”, you go to the timeline where the mountain is elsewhere. But, 50% is the
      tipping point to every thought manifesting as your reality.
      Dr. Hugh Everett found these probability timelines, sideways in time, but,
      he failed to call this direction a dimension. Dr. Albert Einstein defined time
      to be the fourth dimension, for science. Dr. Hugh Everett could have defined
      this direction sideways in time to be the fifth dimension, but, he didn’t,
      probably pressured not to due to this being the secret of sorcery, probability
      manipulation.
      Dr. Lisa Randall defined that direction through the variously bent
      timespaces to be the fifth dimension, for science, leaving the direction
      sideways in time to be the sixth dimension, but, it hasn’t been officially
      established in formal science.
      Waking up the brain to higher percentages of brain use accesses globally
      bent timespace. It puts a field of globally bent timespace around us and in us,
      but fortunately, without the gravitational component. It does this by virtue of
      will times imagination being the power of the mind, just as force times velocity
      is power in mechanics, voltage times current is power in electricity, and
      temperature times entropy production rate is power in thermodynamics.
      Psychiatrists will admit to each other that this power of the mind is caused
      by entropy production rate, EPR, because more than 10% brain use is called
      “psychosis”. The psychiatric establishment in the Western world is a secret
      society, and have also signed a contract of secrecy for the cartel of secret
      lodges.
      It is a mathematical fact that the more links there are between the neurons
      of the brain, the higher the percentage of brain use. Real schizophrenia, is
      caused by the gene DISC1,
      causing the growth of more axons and dendrites between the
      neurons of the brain. If every neuron were linked to every other neuron, there
      would be 100% brain use. There are some schizophrenics with over 50% brain use,
      catatonic, but who’s entity is body switching in perinatal matrix three, Hell.
      But, anyone can cause the growth of extra axons and dendrites by memorizing
      tables of correspondences, like in Crowley’s “Book 777”, and in Barrett’s
      “Magus”. The first thing that magical secret societies have their neophytes do is
      to memorize such tables of correspondences. Later they have them do rigorous
      pranayama, without telling them how it works. Finally the supreme secret is
      revealed, that can be put in dignified medical terms today: “VAGAL STIMULATION
      IS A EFFECTIVE AS LSD “.
      The entropy of the universe being the proportion of photons to nucleons
      (Nucleons of exact opposite polarity cancel out into photons, when brought
      together), reveals that entropy production rate, EPR, is polarity cancellation
      rate.
      By promoting the fast cancellation of opposite polarities, like by putting
      opposite polarities in a conductive electrolyte, like copper dissolved into
      copper acetate in salt and white vinegar, (The iron in the cytochromes of
      every cell is magnetically polarized counterclockwise in males, and clockwise in
      females), the field of globally bent timespace around it, when entered, will
      cause higher percentages of brain use.
      Such a device, called a “shekinah”, has been known to “freak out” a whole
      building of people just by being hid in a closet. This is the alchemical secret, for,
      by putting base metals in this solution, when, with a high EPR is called “the
      medicine of metals”, will change the metal into gold and other metals,
      that will be fluid in that solution
      so that they can be separated by gravity or inertia while still fluid, yet you
      can safely put your hand in this solution, that is, I did, and there is nothing
      wrong with me.
      Finally, I figured out how to get out of this Hellish cycle. I must have
      been in perinatal matrix three when I died to go back to Valley Forge Army
      Hospital. I must have been in perinatal matrix two to go back to September 17,
      1970. Next time, I must die in perinatal matrix one or in no perinatal matrix
      whatsoever. To understand these terms, you may go to http://www.holotropic.com
      and buy “The Adventure of self Discovery” by Dr. Stanislav Grof.
      What did I do for such evil to come upon me, when I was a teen ager. The
      Bible says, “The sins of the fathers are visited upon the sons”. In the one
      substance motion can only be in closed circuitry, that there be something to
      move out of the way and fill in behind. That is how karma comes back to us, even
      the karma associated with our genetics. The best thing to do is to find a way
      out of it. To become nonexistent.
      There are two things in the universe: energy; and, information, which is
      the conformation of energy. Energy is God. Being only information we can become
      nonexistent. Nothing in the Bible says we are immortal, rather, Satan in Eden
      did say “You shall never die”. The immortality of the soul dogma is Satanic. The
      Bible also says,
      “The soul that sinneth shall die”, “No man can keep his soul alive”, and, “Only
      He (God) is immortal”.

      Post a Reply
  1. Moloko – doesnt that remind u of Moloch/Molech?
    Korova – IMO it too does a significance. I believe it is a modified form (different spelling) of the slavic word “kurva”, which means “slut, whore” , hinting to female degradation. After all, look at those bar “tables”….

    Post a Reply
    • Ah! Moloch-o; very clever my droog! I didn’t even catch that. I’ll update the article with that one. Good catch.

      Post a Reply
      • If you enjoyed Clockwork Orange, try “As Above, So Below” great movie with more references.

        Post a Reply
          • Moloko and Korova are Milk and Cow in Russian

  2. A lot of the ‘words’ used in this story are actually Russian. друг (droog) is the Russian for for friend. The plural form is друзья (droozya’), but if we anglicize it, it would be droogs. Hands of God in Russian is руки Бога (rookee’ Bohga’), or ‘rookers of Bog’. молоко (mahlahkoh’) is the word for milk. Finally, that part from the book, “That’s a fair gloopy title. Who ever heard of a clockwork orange?”: the word in Russian for ‘stupid’ is глупый (gloo’pee).

    There’s other examples, but those are the ones that I can think of right off from the movie. Didn’t know if you were aware of all of this or if you can figure out why there was such a Russian language connection.

    Post a Reply
      • Allow me to add a little bit to what my Russian friend mentioned. In Polish (which is also a slavic country) language there is a word ‘krowa’ which means ‘cow’. Every time a hear the name of the bar (Korowa Milky Bar) I can’t not to think: ‘Oh, ok. They’ve put a cow in there’. => KoROWA. I admit this might be a little farfetched, but if we’re putting ‘milk’ right next to it… you get the joke 🙂

        Anyway, as a sidenote, let me just say that I’ve found this page today and I’ve reading some of the posts for the last hour or two. It really opened my eyes to some of the things. Keep up the good work 🙂

        Post a Reply
  3. Great article! Some insight:

    Ludovico is actually just the “latinized” version of the name Ludwig. It’s what Beethoven’s name is (with some slight variations) in Spanish and Italian, and probably Portuguese as well. So, it’s not an allusion, it’s a direct and open reference to Beethoven.

    Post a Reply
  4. First off, thank you very much for the info you have given on this masterpiece. I recently got into this film again after letting it be for years. Some things I’d like to contribute:
    There is in fact a Nadsat dictionairy, it can be found here: http://soomka.com/nadsat.html with words taken from the book.

    What I noticed is how Deltoid treats Alex like a little child. My guess is that one who is on his last powers to help somebody, would rather put his foot down and show Alex who’s boss.

    I also like that Philip Stone plays a somewhat inept father, versus his Delbert Grady in The Shining.

    When the cat woman goes to answer te door, for a short time 4 cats can be seen in the hallway. Not long afterwards, 3 cats hurry away, leaving 1 cat behind. This is similiar to Alex and his droogs, 10 minutes later.
    The cat lady actually uses a bust of Beethoven to attack Alex.

    Skipping along…
    When the Ludovico show has been, the minister does his proud talk, until the chaplain stands up and keeps a lengthy monologue about Alex’ free will. You will notice that the camera is on Alex the entire time, AND that both the ministers hand, as well as the chaplains hand, rest on Alex’ shoulders. Considering the chaplain as a good force, it really makes me think of the ‘shoulder angels’ that are used often in fiction.

    And just a mediocre remark, wouldn’t one call Alex a cockknocker because of his tendecy to attack this body part? Just considering the general meaning of the term.

    Post a Reply
      • No problems! I’m thankfull it helped you. Another thing, the tracking shot in F. Alexanders house before Alex comes in, is exactly the same for the night of the rape as for the night after Alex is being released. Same dialogue too. This could, beside the mirroring, conjure up the suggestion that Julian has taken the place of Alexander’s wife. A statement of sorts?
        Also, when the writer hears Alex sing Singing in the rain in the bathtub, he is filmed from the floor up, like Jack Torrance in The Shining, when Wendy locked him in the storage room, signifying a breaking point?

        Also, and this may be generic, but there are a LOT of shots with only a single person clearly in view: Even when the droogs are together, many times the camera places one clear in sight. And likewise with the cat woman and Alex, or when Dim and Georgie are arresting Alex.
        As I said, it may be nothing, it just caught my eye.

        Post a Reply
  5. Re Illuminati imagery in A Clockwork Orange

    In the prison scene in which Alex auditions for the Minister, he (and all the prisoners and guards) are position between two clearly old masonry walls. The bricks on one side reveal a large pyramid with all seeing eye – filmed at sunrise; sun atop the concealed pyramid. On the opposite wall, much smaller, is concealed a serpentine shape in the bricks.

    Post a Reply
  6. “Moloko” has nothing to do with Moloch. It is simply the word for “milk” in Russian.

    Post a Reply
  7. Soundtrack to 2001: A Space Odyssey is quite known placement in A Clockwork Orange as it is mentioned in many movie books and IMDb.
    But in the same scene there’s logo for record company Vertigo in the roof.
    It resembles the all-seeing eye quite a bit.

    Post a Reply
  8. They are also ruining the economy to trigger an elimination of the America
    as we know it, so they can round up, and exterminate everyone who knows too
    much. They caught me once. In 1959 my buddy and I met a homeless banished
    ex-lodge member. He told us all the big secrets. In 1962 I wrote them in a
    high school term paper, got a 98% for it, graduated with honors, and joined the
    Army.
    Meanwhile, the instructor of that class sold my term paper in the term paper
    black market, the wrong people read it, they hired detectives to hunt me down,
    and they zeroed in on me in the Army. They gave me Hell, the Clockwork Orange
    treatment, by large doses of LSD, while being forced to watch horrible films of
    human torment.
    But before doing that, they bragged to me how powerful they were: the modern
    “conspiracy theory”. Before the modern conspiracy theory, the “conspiracy
    theory” was that rich Jews controlled the world’s economy. I wrote a twenty page
    report and mailed it to the John Birch society, in 1972. Then the John Birch
    society published what I sent them which became the modern conspiracy theory.
    The Clockwork Orange treatment I was given, by large doses of LSD, went
    much further than they expected. Not only did I live the torments of all the
    people in the films they showed me, I lived the times, when I saw them, of every
    person and animal I had seen, even in the movies and on TV. After that life I
    found myself back in time, back in Valley Forge Army Hospital where it happened
    again, but, I also body switched into the bodies of all I had seen in that life,
    for the periods of time I had seen them. Then the life after that, I was able to
    remember some of the mistakes I made the last time around.
    On September 17, 1970 I got stung by a bumble bee, while I was deep in the
    forest. I am allergic to bees, and soon I passed out, waking up, what seemed
    instantly, six hours later. This turned out to be a great blessing, for the next
    time around, after another life time, I woke up back where I had passed out from
    the allergic reaction. But, I had great mind power there and used it to defend
    myself, but later, got so much mind power that my every thought manifested as my
    reality, and I couldn’t handle it. I ended up body switching again, and found
    myself back in Valley Forge Army Hospital, and started again from there.
    This series of pairs happened 36 times, giving me an existence as who I
    am, for over 5000 years, by going backward and forward in time so many times.
    This was done to me for printing in a term paper what a banished lodge ex-member
    told me, which can be put in medical terms today in one sentence,
    “VAGAL STIMULATION IS AS EFFECTIVE AS LSD”.
    So, even though I was threatened to be put in Hell permanently, each time,
    I have done everything in my power to spread these secrets. Here is another
    example: We are drawn to the probability timeline resonant to our thought, by the
    attractive force of inductive resonance. Vagal stimulation wakes up the brain to
    more than the normal 10% brain use. This means 10% brain use at any one time,
    like, an MRI shows the most used parts of the brain by patches of colored light,
    but, these move around, so that we average 10% brain use, if we are “normal”.
    But, with 10% brain use or less we must earn what we get; 20% to 29%, an
    appropriate ritual will get us what we want; 30% to 39%, writing down what we
    want will get it; 40% to 49%, saying what we want will get what we want: “If you
    have the faith of a mustard seed and SAY to this mountain move, it shall be
    moved”, you go to the timeline where the mountain is elsewhere. But, 50% is the
    tipping point to every thought manifesting as your reality.
    Dr. Hugh Everett found these probability timelines, sideways in time, but,
    he failed to call this direction a dimension. Dr. Albert Einstein defined time
    to be the fourth dimension, for science. Dr. Hugh Everett could have defined
    this direction sideways in time to be the fifth dimension, but, he didn’t,
    probably pressured not to due to this being the secret of sorcery, probability
    manipulation.
    Dr. Lisa Randall defined that direction through the variously bent
    timespaces to be the fifth dimension, for science, leaving the direction
    sideways in time to be the sixth dimension, but, it hasn’t been officially
    established in formal science.
    Waking up the brain to higher percentages of brain use accesses globally
    bent timespace. It puts a field of globally bent timespace around us and in us,
    but fortunately, without the gravitational component. It does this by virtue of
    will times imagination being the power of the mind, just as force times velocity
    is power in mechanics, voltage times current is power in electricity, and
    temperature times entropy production rate is power in thermodynamics.
    Psychiatrists will admit to each other that this power of the mind is caused
    by entropy production rate, EPR, because more than 10% brain use is called
    “psychosis”. The psychiatric establishment in the Western world is a secret
    society, and have also signed a contract of secrecy for the cartel of secret
    lodges.
    It is a mathematical fact that the more links there are between the neurons
    of the brain, the higher the percentage of brain use. Real schizophrenia, is
    caused by the gene DISC1,
    causing the growth of more axons and dendrites between the
    neurons of the brain. If every neuron were linked to every other neuron, there
    would be 100% brain use. There are some schizophrenics with over 50% brain use,
    catatonic, but who’s entity is body switching in perinatal matrix three, Hell.
    But, anyone can cause the growth of extra axons and dendrites by memorizing
    tables of correspondences, like in Crowley’s “Book 777”, and in Barrett’s
    “Magus”. The first thing that magical secret societies have their neophytes do is
    to memorize such tables of correspondences. Later they have them do rigorous
    pranayama, without telling them how it works. Finally the supreme secret is
    revealed, that can be put in dignified medical terms today: “VAGAL STIMULATION
    IS A EFFECTIVE AS LSD “.
    The entropy of the universe being the proportion of photons to nucleons
    (Nucleons of exact opposite polarity cancel out into photons, when brought
    together), reveals that entropy production rate, EPR, is polarity cancellation
    rate.
    By promoting the fast cancellation of opposite polarities, like by putting
    opposite polarities in a conductive electrolyte, like copper dissolved into
    copper acetate in salt and white vinegar, (The iron in the cytochromes of
    every cell is magnetically polarized counterclockwise in males, and clockwise in
    females), the field of globally bent timespace around it, when entered, will
    cause higher percentages of brain use.
    Such a device, called a “shekinah”, has been known to “freak out” a whole
    building of people just by being hid in a closet. This is the alchemical secret, for,
    by putting base metals in this solution, when, with a high EPR is called “the
    medicine of metals”, will change the metal into gold and other metals,
    that will be fluid in that solution
    so that they can be separated by gravity or inertia while still fluid, yet you
    can safely put your hand in this solution, that is, I did, and there is nothing
    wrong with me.
    Finally, I figured out how to get out of this Hellish cycle. I must have
    been in perinatal matrix three when I died to go back to Valley Forge Army
    Hospital. I must have been in perinatal matrix two to go back to September 17,
    1970. Next time, I must die in perinatal matrix one or in no perinatal matrix
    whatsoever. To understand these terms, you may go to http://www.holotropic.com
    and buy “The Adventure of self Discovery” by Dr. Stanislav Grof.
    What did I do for such evil to come upon me, when I was a teen ager. The
    Bible says, “The sins of the fathers are visited upon the sons”. In the one
    substance motion can only be in closed circuitry, that there be something to
    move out of the way and fill in behind. That is how karma comes back to us, even
    the karma associated with our genetics. The best thing to do is to find a way
    out of it. To become nonexistent.
    There are two things in the universe: energy; and, information, which is
    the conformation of energy. Energy is God. Being only information we can become
    nonexistent. Nothing in the Bible says we are immortal, rather, Satan in Eden
    did say “You shall never die”. The immortality of the soul dogma is Satanic. The
    Bible also says,
    “The soul that sinneth shall die”, “No man can keep his soul alive”, and, “Only
    He (God) is immortal”.

    Post a Reply
  9. I noticed a few things which may not be significant but stood out to me. First, there seemed to be a lot of references to the black/red color scheme referring to the Devil throughout the film. You mention the black/red chair reflection in the mirror in F. Alexander’s house. While Alex is being tortured in F. Alexander’s house, the portly man is playing with black and red pool balls. The contraption used to brainwash Alex consists of a black strap with multiple red electrodes all around him. There are others but unfortunately I can only think of those off the top of my head. You could even add a ton of black, red, and white occurrences but I’m not sure the significance of this.

    Also, I’m not completely knowledgeable on numerology, but I noticed a lot of 6’s and 666’s throughout the film. The two most notable include the medicine bottle used for the vitamins during Alex’s brainwashing is marked as 114 which adds up to 6. The other instance is after Alex has tried to snuff himself and is in the hospital. The hospitals nurse holds up pictures for Alex with half of a conversation and he is supposed to fill in the other half. One picture the nurse holds up is with two people and a bunch of clocks. Each clock points to 3 PM. There are 6 clocks. When you add two of each clock up together you get 666.

    Anyways, not sure if this helps or if anyone noticed this too (didn’t read all of the comments) but thought I would point it out.

    Post a Reply
  10. And at the 2008 final night of the presidential convention, the winning family were all dressed in black and red.

    Post a Reply
  11. The scene where alex is hitting the writer in the balls with the Cane could be a reference to Tubal Caine.

    Post a Reply

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