The occult “secret” I’d like to reveal is regarding the pagan religion found on the show. Not only is it commonplace for the “Illuminati” to continue their worship of pagan deities (which is from a loooong line of occult history as I explain in A Grand Unified Conspiracy Theory), but it is quickly becoming the ‘norm’ for it to be depicted in works of art and entertainment.
For instance, you don’t notice Christianity as a main-staple of religion in most films and television shows, but the paganism or even atheism is the norm (or perhaps nonexistence of religion at all). Even more disturbing is the worship of “superheroes”, mutants, and aliens, but that is a topic I cover elsewhere on this website as we continue down Aleister Crowley’s Aeon of Horus…
Before I get into Crowley, let’s look at the symbolism of the pagan religion of Game of Thrones. Located in the Great Hall of the Red Keep is the Faith of the Seven star, which depicts the seven gods they worship (pagan):
The seven deities they worship consist of three males, three females, and one being that is neither male or female and is often times depicted as ‘death’. You’ll notice that this list includes the worship of three women, which is the infamous “Triple Goddess” formula (Maid, Mother, Crone) which I explain in my symbolism breakdown of Kubrick’s Eyes Wide Shut:
Another aspect to consider on that Faith of the Seven star is the OTHER symbol embedded within it. Most wouldn’t notice when you see it in its native form on the floor in this birds eye view shot…
…but take another look at it when its on the window:
Do you see the inner symbol? That is the symbol of Aleister Crowley’s Silver Star magical order:
You might recognize this symbol because it was also used in my analysis of the Illuminati Mark of the Beast and also with the 777 symbolism associated with the missing Malaysian flights.
You’ll notice that the inner star matches the one seen on GoT, and Crowley’s Silver Star has the letters “BABALON” inscribed within. This is because Crowley and the occult obsess over the evocation of this Whore of Babylon from the Apocalyptic visions of the Bible. The Whore of Babylon is a demonic goddess meant to bring about the Antichrist, which is why we saw Katy Perry acting as such on the Super Bowl:
Ironically (or maybe not so much), this red headed Whore of Babylon symbolism is also found on GoT with Melisandre:
Father Seraphim Rose talked about this exact demonic trend in pop culture back in the 1970s when he referenced the influence of science fiction and how “they” market it as some kind of innovative, improved future version of society but in reality it is merely a retelling of past forms of pagan worship.
The Illuminati want to push us backwards into the worship of pagan deities and basically undo what years of Christianity have worked towards.
In a recent TIME article, it was revealed that the creator of Game of Thrones- George R.R. Martin, said that the Catholic religion and the Inquisition is what inspired him to write the portion of the story where the GoT “faithful” seek to condemn homosexuality:
The Sparrows are my version of the medieval Catholic Church, with its own fantasy twist.
They were playing their own version of the game of thrones, and they were in bed with the kings and the lords. But you also had periods of religious revival or reform—the greatest of them being the Protestant Reformation, which led to the splitting of the church—where there were two or three rival popes each denouncing the other as legitimate. That’s what you’re seeing here in Westeros.
What we’re looking at here is the demonization of Christianity. Although there is some factual history behind the horrors of the Inquisition, I find it interesting that many people don’t acknowledge the far-worse injustices conducted through Communism and Atheism. The Church’s Inquisition killed a couple thousand people, while killings due to Communist governments (and atheism inherent to them) number in the MILLIONS.
As much as I do enjoy Game of Thrones, I have to say that it is just one more channel of influence and deception being provided by our entertainment industrial complex.
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